What happens when a theatrical production moves both literally and aesthetically off ...

Analysing why we laugh and what we laugh at, and describing how performers can elicit this respon...

Analysing why we laugh and what we laugh at, and describing how performers can elicit this respon...

In How and Why We Teach Shakespeare, 19 distinguished college teachers and directors draw from th...

In How and Why We Teach Shakespeare, 19 distinguished college teachers and directors draw from th...

Why the Theatre is a collection of 26 personal essays by college teachers, actors, directors, and...

Why the Theatre is a collection of 26 personal essays by college teachers, actors, directors, and...

This volume explores how and why we deny, or manipulate, or convert, or enhance reality. Finding ...

This volume explores how and why we deny, or manipulate, or convert, or enhance reality. Finding ...

Sidney Homan defines a pivotal line as "e;a moment in the script that serves as a pathway int...

Sidney Homan defines a pivotal line as "e;a moment in the script that serves as a pathway int...

This volume explores how and why we deny, or manipulate, or convert, or enhance reality. Findi...