Vanity Fair

William Makepeace Thackeray (1811-1863) was born in India to a long line of Yorkshire gentry recently mixed with equally ancient gentry. In 1817, two years after the death of his father, a prosperous official of the East India Company, the boy was sent back to England. There he underwent the proper education of a young gentleman, including rounds of laziness and dissipation at Cambridge, where he made the acquaintance of Tennyson and other notables, and later at the Middle Temple. He next crossed to Paris, where he studied art and made a love match with Isabella Shawe, whom he married in 1836, overcoming strong maternal resistence. The couple returned to London, where Thackeray embarked on ten years as a journalistic hack-of-all-trades. He primarily worked for Fraser's Magazine, a sharp-witted and sharp-tongued conservative publication, for which he produced art criticism, short fictional sketches, and two longer fictional works, Catherine and The Luck of Barry Lyndon. He later wrote for Punch magazine, where he published The Snob Papers, later collected as The Book of Snobs. The serial publication of Vanity Fair in 1847-1848 ended Thackeray's days as a minor journalist, and he went on to become the author of miscellaneous satires and reviews, including essays, lectures, and seven novels. After a period of deteriorating health, Thackeray died during the early hours of December 24, 1863.

A deliciously satirical attack on a money-mad society, Vanity Fair, which first appeared in 1847, is an immensely moral novel, and an immensely witty one. Vanity Fair features two heroines: the faithful, loyal Amelia Sedley, and the beautiful and scheming social climber Becky Sharp. It also engages a huge cast of wonderful supporting characters as the novel spins from Miss Pinkerton's academy for young ladies to affairs of love and war on the Continent to liaisons in the dazzling ballrooms of London. William Makepeace Thackeray's forte is the bon mot, and it is amply exercised in a novel filled with memorably wicked lines. Lengthy and leisurely in pace, the novel follows the adventures of Becky and Amelia as their fortunes rise and fall, creating a tale both picaresque and risque. Thackeray mercilessly skewers his society, especially the upper class, poking fun at their shallow values and pointedly jabbing at their hypocritical morals. His weapons, however, are not fire and brimstone but an unerring eye for the absurd and a genius for observing the foibles of his age. An enduring classic, this great novel is a brilliant study in duplicity and hypocrisy--and a mirror with which to view our own times.