Aberrant Nuptials

Morevolumes on 'Deleuze and Artistic Research':MachinicAssemblages of DesireTheDark Precursor (Two-Volume Set)Unique focus on the relation between artistic researchand the philosophy of Gilles DeleuzeAberrant Nuptials explores thediversity and richness of the interactions between artistic research andDeleuze studies. "e;Aberrant nuptials"e; is the expression Gilles Deleuze uses torefer to productive encounters between systems characterised by fundamentaldifference. More than imitation, representation, or reproduction, theseencounters foster creative flows of energy, generating new materialconfigurations and intensive experiences. Within different understandings ofartistic research, the contributors to this book-architects, composers,film-makers, painters, performers, philosophers, sculptors, and writers-mapcurrent practices at the intersection between music, art, and philosophy,contributing to an expansion of horizons and methodologies. Written byestablished Deleuze scholars who have been working on interferences between artand philosophy, and by musicians and artists who have been reflecting Deleuzianand Post-Deleuzian discourses in their artworks, this volume reflects thecurrent relevance of artistic research and Deleuze studies for the arts.Contributors: Suzie Attiwill (RMIT University), Sara Baranzoni (Universidadde las Artes of Guayaquil), Zsuzsa Baross (Trent University), Terri Bird (MonashUniversity), Ronald Bogue (University of Georgia), Barbara Bolt (VCA Universityof Melbourne), Peter Burleigh (University of Basel / HGK, Basel), EdwardCampbell (University of Aberdeen / Centre for Modern Thought), MariannaCharitonidou (University of Paris West Nanterre / National Technical Universityof Athens), Jean-Marc Chouvel (Paris-Sorbonne University), Guillaume Collett (Universityof Kent), Zornitsa Dimitrova (University of Mnster), Lilija Duobliene (Universityof Vilnius), Andrea Eckersley (RMITUniversity), Lucia D'Errico (Orpheus Institute), Bracha L. Ettinger (artist,painter, theorist), Henrik Frisk (Royal Academy of Music Malm janjagodzinski (University of Alberta), Oleg Lebedev (Universit Catholique deLouvain), Gustavo Penha (University of So Paulo), Katie Pleming (King'sCollege London), Liana Psarologaki (University of Suffolk), Emilia Marra (Universityof Trieste), Tero Nauha (Helsinki Collegium), Stefan stersj (OrpheusInstitute), Simon O'Sullivan (theorist, artist), Antonia Pont (DeakinUniversity), Elisabeth Presa (University of Melbourne), Spencer Roberts (Universityof Huddersfield), Jonas Rutgeerts (dramaturge, performance theorist), AnneSauvagnargues (University of Paris Ouest Nanterre La Dfense), Janae Sholtz (AlverniaUniversity), Steve Tromans (musician, independent researcher), Kamini Vellodi (Universityof Edinburgh), Paolo Vignola (Universidad de las Artes of Guayaquil), AudronA A ukauskaitA (Lithuanian Culture Research Institute).This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Morevolumes on 'Deleuze and Artistic Research':MachinicAssemblages of DesireTheDark Precursor (Two-Volume Set)Unique focus on the relation between artistic researchand the philosophy of Gilles DeleuzeAberrant Nuptials explores thediversity and richness of the interactions between artistic research andDeleuze studies. "e;Aberrant nuptials"e; is the expression Gilles Deleuze uses torefer to productive encounters between systems characterised by fundamentaldifference. More than imitation, representation, or reproduction, theseencounters foster creative flows of energy, generating new materialconfigurations and intensive experiences. Within different understandings ofartistic research, the contributors to this book-architects, composers,film-makers, painters, performers, philosophers, sculptors, and writers-mapcurrent practices at the intersection between music, art, and philosophy,contributing to an expansion of horizons and methodologies. Written byestablished Deleuze scholars who have been working on interferences between artand philosophy, and by musicians and artists who have been reflecting Deleuzianand Post-Deleuzian discourses in their artworks, this volume reflects thecurrent relevance of artistic research and Deleuze studies for the arts.Contributors: Suzie Attiwill (RMIT University), Sara Baranzoni (Universidadde las Artes of Guayaquil), Zsuzsa Baross (Trent University), Terri Bird (MonashUniversity), Ronald Bogue (University of Georgia), Barbara Bolt (VCA Universityof Melbourne), Peter Burleigh (University of Basel / HGK, Basel), EdwardCampbell (University of Aberdeen / Centre for Modern Thought), MariannaCharitonidou (University of Paris West Nanterre / National Technical Universityof Athens), Jean-Marc Chouvel (Paris-Sorbonne University), Guillaume Collett (Universityof Kent), Zornitsa Dimitrova (University of Mnster), Lilija Duobliene (Universityof Vilnius), Andrea Eckersley (RMITUniversity), Lucia D'Errico (Orpheus Institute), Bracha L. Ettinger (artist,painter, theorist), Henrik Frisk (Royal Academy of Music Malm janjagodzinski (University of Alberta), Oleg Lebedev (Universit Catholique deLouvain), Gustavo Penha (University of So Paulo), Katie Pleming (King'sCollege London), Liana Psarologaki (University of Suffolk), Emilia Marra (Universityof Trieste), Tero Nauha (Helsinki Collegium), Stefan stersj (OrpheusInstitute), Simon O'Sullivan (theorist, artist), Antonia Pont (DeakinUniversity), Elisabeth Presa (University of Melbourne), Spencer Roberts (Universityof Huddersfield), Jonas Rutgeerts (dramaturge, performance theorist), AnneSauvagnargues (University of Paris Ouest Nanterre La Dfense), Janae Sholtz (AlverniaUniversity), Steve Tromans (musician, independent researcher), Kamini Vellodi (Universityof Edinburgh), Paolo Vignola (Universidad de las Artes of Guayaquil), AudronA A ukauskaitA (Lithuanian Culture Research Institute).This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).