TWELVE GOOD MUSICIANS From JOHN BULL to HENRY PURCELL

Sir John Frederick Bridge CVO played the organ, wrote music, taught, and played the piano. Bridge started playing the organ in church before he was 20 years old. By the time he was 24, he had reached his goal of playing the organ in Manchester Cathedral, which he did. He worked there for six years before being asked to become organist at Westminster Abbey, where he stayed for the rest of his career. He made a number of changes to bring the Abbey's music more up-to-date and better. He also organized the music for a number of state events, including two coronations. Bridge taught and gave talks at the University of London, the Royal College of Music, and Gresham College. Arthur Benjamin and Noel Gay were among his students as were organists Edward Bairstow and Herbert Brewer, director Landon Ronald, and Arnold Dolmetsch, who was one of the founders of early music. A lot of people came to his public lectures at Gresham College, which were about a lot of different topics and musical times. Bridge was the conductor of the Royal Choral Society for 25 years. With them, he played many new works, including some of his own compositions and works by Elgar, Vaughan Williams, and Parry.

"Twelve Good Musicians" by Sir Frederick Bridge is a splendid painting that showcases the writer's insights into the lives and contributions of twelve prominent musicians. Bridge, a prominent English organist, composer, and conductor, offers a series of biographical sketches that highlight the achievements and affects of these musicians on the arena of classical tune. The book features a various selection of musicians from special ancient periods and genres, providing a complete evaluate of their artistic accomplishments. Bridge's writing displays a deep appreciation for the people he profiles, exploring now not most effective their musical capabilities but additionally their personal backgrounds, struggles, and the cultural contexts in which they thrived. Bridge's selection of "Twelve Good Musicians" encompasses more than a few composers and performers, allowing readers to gain a nuanced know-how of the evolution of musical expression. The book is characterized by its informative yet attractive narrative style, making it reachable to each song enthusiasts and popular readers interested in the lives of outstanding figures. Through "Twelve Good Musicians," Sir Frederick Bridge contributes to the broader appreciation of classical tune, presenting a nicely-rounded exploration of the lives and legacies of key figures within the musical canon.