From Page to Screen / Vom Buch zum Film

For a long time now, women have struggled for the vindication of their rights and for their visibility. This struggle may seem a story of success, maybe not complete or equal for all women, but at least one which slowly but surely carries with it the promise of equality for all women. However, a closer look reveals that in various fields of culture the representation of women frequently undergoes a manipulation which makes the image of women lose the intention initially attempted.This is often the case with adaptations of literary texts to thescreen, when the initial literary message is changed because of, for example, marketing demands or some ideological stance. Rarely do we find the opposite case where the indifferent or emasculated original female characters are turned into guardians and/or apologists of feminine power. The present volume focuses precisely on the way in which the image of women is modified in films and TV series, when compared with the original literary texts.

Manuel Almagro-Jiménez / Eva Parra-Membrives"I WANT MY MONEY BACK": Some Considerations on the Dialectics ofTexts and FilmsPART 1 CHILDREN'S STORIES FOR ADULTSLorena Silos RibasHEIDI GOES KAWAII: The Evolution of Fräulein Rottenmeier in the Animated Versions of Johanna Spyri's NovelsBruno Echauri Galván / Silvia García HernándezAN ENGLISH GIRL IN THE STATES. The Impact of Context and Genre on the Film Adaptation of Roald Dahl's MatildaYiyi López GándaraGENDER EDUCATION AND INTERMEDIALITY. A Look at theReimagining of Secondary Female Characters from Book to BlockbusterPART 2 THE FANTASTIC: FROM THE PAST AND THE FUTUREMarta Mariño-MexutoFROM "WIFE OF MY BOSOM" TO "FEMALE THING": E. A. Poe's Ligeia and Roger Corman's The Tomb of LigeiaMiguel Ayerbe-LinaresÉOWYN VOM BUCH ZUM FILM. Peter Jacksons Verfilmung von Tolkiens Der Herr der RingeChristiane LimbachGAME OF THRONES & DAS LIED VON EIS UND FEUER. Untersuchung der Darstellung von Frauen am Beispiel von MissandeiPedro Alemany NavarroVERSIONS OF SELF-SEARCH AND SELF-TRANSCENDENCE IN A POSTHUMAN PARADIGM: The Case of Motoko Kusanagi (Ghost in the Shell)Sergio Cobo-Durán/ Irene Raya BravoWONDER WOMAN. From Page to ScreenPART 3 FOR WOMEN WAR IS NEVER OVERAlberto LenaMGM'S THREE COMRADES: Frank Borzage, F. Scott Fitzgerald and Hollywood's Courageous Weimar WomenManuel Almagro-Jiménez"WIE OFT?" OR LOVE IN TROUBLED TIMES?: The Cinematographic Adaptation of A Woman in BerlinLeopoldo DomínguezVERFILMUNG VON ERINNERUNGSLITERATUR. Zur Darstellung der Figur Hanna Schmitz aus Bernhard Schlinks Der VorleserPART 4 DEMANDING THEIR OWN VOICE, STATING THEIR OWN NEEDSMargarita Estévez-Saá"O JAMESY LET ME UP OUT OF THIS". Molly Bloom in Joseph Strick's and Sean Walsh's FilmsMontserrat Bascoy LamelasKATHARINA BLUM: OPFER ODER TÄTER? Die weibliche Hauptfigur in Heinrich Böll und in Volker Schlöndorff und Margarethe von TrottaClaudia Garnica de BertonaTHE FEMALE BODY AS STAGE FOR VIOLENCE. Elfriede Jelinek's The Pianist and its Film Version by Michael HanekeEva Parra-MembrivesDIE EWIGE SCHULD DER EVA. Frau und Sünde in Petra Hammesfahrs Die Sünderin und der Netflix-Serie The SinnerPART 5 (MUSIC IS) A WORLD WITHIN ITSELFMarina Tornero TarragóTHE PORTRAYAL OF THE BAD GIRL CARMEN. Eternal Hybridity of High and Low EntertainmentRocío Cobo-PiñeroFROM CIVIL RIGHTS CHRONICLER TO CHANEL Nº 5. Mainstreaming Nina SimoneJiří MěsícSHEKHINAH IN THE MUSIC VIDEOS OF LEONARD COHENLIST OF AUTHORS