Lutheran Music Culture

Arbeiten zur Kirchengeschichte first began publication in 1925 and can claim to be one of the most tradition-rich historical book series. It presents research on the history of Christian churches and dogmas through the ages but also publishes papers on related disciplines such as archeology, history of art and literary studies. One of the series’ leading features is its consistent striving to combine historical-methodical precision with systematic contextualization of each examined topic. In recent years the series has increasingly publishedstudies on themes relating to the history of Christian culture and ideas, viewed within a methodically open perspective on the history of Christianity.

This volume presents a novel and distinct contribution to previous research on the rich Lutheran heritage of music. It builds upon a current surge of interest in the field, which resonates with a wider interest in connections between music and religion, as well as with cultural and aesthetic dimensions of faith at large. The book situates the topic in relation to recent developments within historical and cultural studies that have developed a more nuanced and positive view of the interplay between theologians and other cultural agents in the evolution of Western modernity during post Reformation processes of ‘confessionalization’. It combines conceptual discussions of key terms relevant to the study of the development and significance of an Early Modern Lutheran Music Culture with theological readings of central texts on music, analytic approaches to historical repertoires and material perspectives on its dissemination.