The Long Ride Home

Ron Tarver comes from a family of African American cowboys. He grew up in Fort Gibson, a small agricultural community in rural northeastern Oklahoma. His grandfather, a member of the Black Freedman of the Cherokee Tribe, was a working cowboy during the 1940s, and Tarver spent many long, hot summer days hauling hay and working on local farms and ranches, occasionally rounding up stray cows. Tarver has distinguished himself in the field of fine-art photography. In 2021, he was awarded a John Simon Guggenheim Memorial Foundation Fellowship, in Creative Arts Photography and he has been in more than thirty solo and eighty group exhibitions. His photographs are also in numerous collections, including the National Museum of American Art of the Smithsonian Institution, Oklahoma History Center, Philadelphia Museum of Art, State Museum of Pennsylvania, and Studio Museum in Harlem. As a long-time staff photographer for The Philadelphia Inquirer, he shared the 2012 Pulitzer Prize for his work on a series documenting school violence in the Philadelphia public school system, was nominated for three additional Pulitzers, and was honored with awards from World Press Photos and the Sigma Delta Chi Award of the Society of Professional Journalists. Tarver is currently Associate Professor of Art at Swarthmore College. He is co-author, with journalist Yvonne Latty, of We Were There: Voices of African -American Veteran from World War II to the War in Iraq (Harper Collins, 2004), which was accompanied by a traveling exhibition that debuted at the National Constitution Center in Philadelphia.

The Long Ride Home: Black Cowboys in America is the first book to tell the story of the Black cowboy experience in contemporary America. Although Black cowboys have been a fixture on the American landscape and frontier since the nineteenth century, few people are aware of their enduring contributions to the history of the West and how their unique culture continues to thrive today in urban as well as rural areas all over the country.The book features Ron Tarver's beautiful, compelling, and often surprising contemporary images of African-American cowboys that not only convey the Black cowboy's way of life and its rich heritage, but also affirm a thriving culture of Black-owned ranches and rodeo operations, parades, inner-city cowboys, retired cowhands, and Black cowgirls of all ages, too. Tarver, who grew up in a family of Black cowboys in Oklahoma, uses his artistry to question, if not upend, long-held notions of what it means to be a cowboy and, with that, what it means to be an American. The Long Ride Home couldn't be more timely, coming on the heels of films such as Lil Nas X's hit time-travel western, Old Town Road (2019), and Idris Elba's Concrete Cowboy (2021), which was based on Greg Neri's Ghetto Cowboy (2013), about Philadelphia's contemporary African-American cowboy culture. Many of Tarver's images were made in some of the same Philadelphia neighborhoods. Widespread interest in the Black experience in America will also make this book an especially important contribution to Black history.In addition to Tarver's photographs, The Long Ride Home includes an essay by Art T. Burton, an expert on the history of Black cowboys. This book is both a tribute to and celebration of the Black cowboy in America. It is certain to be an invaluable addition to American history for years to come.