Beowulf and the Grendel-Kin

Helen Damico is Professor Emerita of English Medieval Language and Literature at the University of New Mexico, where she was twice selected as Outstanding Teacher and honored as UNM Presidential Teaching Fellow. She is a founder of its Institute for Medieval Studies, a recipient of the New Mexico Humanities Award for Lifetime Contributions to the Humanities, and a member of The Medieval Academy of America and recipient of its CARA Award for Outstanding Service to Medieval Studies. She is also an Honorary Member of the International Society of Anglo-Saxonists. She edited the three volumes of Medieval Scholarship: Biographical Essays in the Formation of a Discipline and is the author of Beowulf's Wealhtheow and the Valkyrie Tradition.

In "Beowulf and the Grendel-kin: Politics and Poetry in Eleventh-Century England," Helen Damico presents the first concentrated discussion of the initiatory two-thirds of "Beowulf's" 3,182 lines in the context of the turbulent years that composed the first half of the eleventh century in Anglo-Danish EnglandDamico offers incisive arguments that major historical events and personages pertaining the the reigns of Cnut and his sons recorded in the "Anglo-Saxon Chronicle," the "Encomium Emmae Reginae," and major continental and Scandinavian historical texts, hold striking parallels with events and personages found in at least eight narrative units, as recorded by Scribe A in BL, Cotton Vitellius A.xv, that make up the poem's quasi sixth-century narrative concerning the fall of the legendary Scyldings.Given the poet's compositional skill-widely relational and eclectic at its core-and his affinity with the practicing skalds, these strings of parallelisms could scarcely have been coincidental. Rather, Damico argues that examined within the context of other eleventh-century texts that either bemoaned, darkly satirized, or obversely celebrated the rise of the Anglo-Danish realm, the Beowulfian units may bring forth a deeper understanding of the complexity of the poet's compositional process. Damico illustrates the poet's use of the tools of his trade-compression, substitution, skillful encoding of character-to reinterpret and transform grave sociopolitical "facts" of history, to produce what may be characterized as a type of historical allegory whereby two parallel narratives, one literal and another veiled, are simultaneously operative."Beowulf and the Grendel-kin" lays out the story of the poem, not as a monster narrative nor a folklorish nor solely a legendary tale, but rather as a poem of its time, a historical allegory coping with and reconfiguring sociopolitical events of the first half of eleventh-century Anglo-Saxon England.