Art Without Frontiers

Dr Annebella Pollen is Professor of Visual and Material Culture at the University of Brighton, where she researches undervalued archives and untold stories in art and design history. Her previous books include Mass Photography: Collective Histories of Everyday Life (2015), The Kindred of the Kibbo Kift: Intellectual Barbarians (2015), Nudism in a Cold Climate: The Visual Culture of Naturists in Mid-20th-Century Britain (2021), and More Than a Snapshot: A Visual History of Photo Wallets (2023).

What is the value of the visual arts in international cultural exchange? What do exhibitions of wok by leading British artists communicate as they travel overseas? For more than eight decades, the British Council has sent British art abroad as ambitious acts of cultural dialogue with over a hundred countries, from Afghanistan to Zambia. Along the way it has amassed a distinctive and unique national art collection, comprising over 8500 pieces, ranging from painting, print and sculpture to film works, photography and craft by some of the most significant artistic talents of the 20th and 21st centuries. It continues to acquire new art by emerging practitioners and to operate in new geographical territories using innovative methods of cultural engagement. Its works are on display in over 100 countries worldwide, and its exhibitions are seen by millions of people per year. Art without Frontiers follows the expectations made of visual arts in the work of the British Council since 1935, locating its achievements in the shifting contexts of global politics and art history across the twentieth and twenty-first centuries. Through a series of chronological exhibition histories that act as testing grounds and turning points, Art without Frontiers explores key moments in the British Council's visual arts programme and, in particular, the development and use of the British Council Collection, to examine what art can do for cultural relations in an ever-changing world.

Preface Introduction: Establishing the Collection Crafts at war and at peace Avant-garde ambassadors Pop and protest Expanding the field Use value A new generation Art for a dangerous world Rehang, relate, reprise Conclusion: An ongoing journey Notes to the text Acknowledgments Select bibliography Index