The Year of the Short Corn, and Other Stories

The Year of the Short Corn, and Other Stories
 Paperback
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Artikel-Nr:
9781849211253
Veröffentl:
2013
Einband:
Paperback
Erscheinungsdatum:
15.02.2013
Seiten:
240
Autor:
Fred Urquhart
Gewicht:
293 g
Format:
203x127x14 mm
Sprache:
Englisch
Beschreibung:

Fred Urquhart (1912-1995) was born in Edinburgh and spent much of his childhood there, where his grandparents lived, and later he worked in an Edinburgh book shop for some years ('my university'). He is best known as a superb short story writer. When he began to write it was the heyday of short story magazines, and this was the only obvious way to earn a living as an author. He spent the war in the north-east of Scotland, a conscientious objector relegated to farm work: his stories of this are agreed to rival Grassic Gibbon and Jessie Kesson. But later he went to London, finding the louche world of Soho more to his taste than Edinburgh correctness. Later he lived in the country in a 'happy homosexual marriage' and he did not return to Scotland until 1991, after his partner's death. The Ferret Was Abraham's Daughter (1949) and Jezebel's Dust (1951) are his two great novels of Edinburgh's poorer citizens in wartime.
"The Year of the Short Corn" was first published in 1949, and the war, or its immediate aftermath, forms a presence in most of the stories. It can be a civilian family gathered together with scattered serving children for a precious Christmas leave, or a son or daughter returning from one of the services; it can illustrate clothes rationing, and the avid fervour with which civilian women greet silk stockings; it can be a 'townser' who thinks too much of himself who becomes snowbound on a North East farm, or the rage and humiliation of a young castrated ox. It can even be an Edinburgh boarding-house with a kenspeckle crew of lodgers (and an oversexed bulldog), under the eyes of a bewildered refugee girl from Vienna. Fred Urquhart was praised by George Orwell for the striking variety of his subject matter, and by others for his splendid dialogue, and his portraits of characters, especially women. None of these critics was wrong, but there is more here to praise!

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