Mozart’s Last Aria

Rees, Matt

MATT REES was born in Wales and read English at Oxford before moving to the Middle East to become a journalist. He is also the author of the award-winning Omar Yussef series, which follows a detective in Palestine, and is now published in twenty-four countries.

Visit his website at mattrees.net

It is 1791 and Wolfgang Amadeus Mozart is enlightenment Vienna's brightest star. Master of the city's music halls and devoted member of the Austrian Freemason's guild, he stands at the heart of an electric mix of art and music, philosophy and science, politics and intrigue.

Six weeks ago, the great composer told his wife he had been poisoned. Yesterday, he died.

The city is buzzing with rumours of infidelity, bankruptcy and murder. But Wolfgang's sister Nannerl, returned from the provinces to investigate, will not believe base gossip. Who but a madman would poison such a genius?

Yet as she looks closely at what her brother left behind - a handwritten score, a scrap of paper from his journal - Nannerl finds traces of something sinister: the threads of a masonic conspiracy that reach from the gilded ballrooms of Viennese society to the faceless offices of the Prussian secret service.

Only when watching Wolfgang's bewitching opera, The Magic Flute, does Nannerl truly understand her beloved brother once again. For, encoded in his final arias, is a subtly crafted blueprint for a radical new tomorrow. Mozart hoped to change his future. Instead he sealed his fate.

Mozarts Schwester Nannerl reist nach Wien, um ihrem Bruder die letzte Ehre zu erweisen und gerät in ein Netz aus Verdächtigungen und Intrigen, die nahelegen, dass ein dunkles Geheimnis das Genie seinem frühen Grab zuführte. Mozart selber hegte den Verdacht, er wäre vergiftet worden und er hat Hinweise in seiner Musik hinterlassen. Hinweise, die zu einer Lösung des Rätsels führen könnten.

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