Beschreibung:
Elaine Treharne, Greg Walker
The notion of what it means to "distort" a text is here explored through a rich variety of individual case studies.
Introduction - Elaine TreharneThe Curious Production and Reconstruction of Oxford, Bodleian Library, Junius 85 and 86 - Matthew AielloThrough a glass darkly, or, rethinking medieval materiality: a tale of carpets, screens, and parchment - Emma CayleyDistortion, Ideology, Time: Proletarian Aesthetics in the work of Lionel Britton - Aaron KellyShakespeare and Korea: Mutual Remappings - Dan KimDictionary Distortions - Sarah OgilvieWhere Do Indigenous Origin Stories and Empowered Objects Fit into a Literary History of the American Continent? - Timothy PowellDistortion in Textual Object Facsimile Production: a Liability or an Asset? - Giovanni ScorcionniThe Uncanny Reformation: Revenant Texts and Distorted Time in Henrician England - Greg WalkerThe Presence of the Book - Claude Willan