Chapter One: Introduction
Chapter Two: The Early Life and Ideas of Sarah Glover
Chapter Three: First Music Education Experiments
Chapter Four: Advice from an old friend
Chapter Five: The German Canons and the Sol-fa Tune Book
Chapter Six: The Norwich Solfa Fully Worked Out
Chapter Seven: The Solfa Harmonicon with Rotary Cylinder
Chapter Eight: Teaching the Norwich Solfa
Chapter Nine: Glover’s Fascination with Prismatic Colour and Natural Theology
Chapter Ten: Support and Criticism
Chapter Eleven: Good Works
Chapter Twelve: John Curwen Takes Hold of Miss Glover’s Method
Chapter Thirteen: Curwen’s Modifications and Management
Chapter Fourteen: An Uneasy Truce
Chapter Fifteen: Collegial Correspondence with John Hullah
Chapter Sixteen: Semi-Retirement
Chapter Seventeen: New Lodgings
Chapter Eighteen: The Friction Continues
Chapter Nineteen: The Final Years
Chapter Twenty: Re-Writing History