The synthetic proposition

The synthetic proposition
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Conceptualism and the political referent in contemporary art
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Artikel-Nr:
9781784992767
Veröffentl:
2017
Einband:
Paperback
Erscheinungsdatum:
13.06.2017
Seiten:
282
Autor:
Nizan Shaked
Gewicht:
639 g
Format:
234x156x18 mm
Sprache:
Englisch
Beschreibung:

Nizan Shaked is Associate Professor of Contemporary Art History, Museum and Curatorial Studies at California State University, Long Beach
The synthetic proposition examines the impact of Civil Rights, Black Power, the student, feminist and sexual-liberty movements on conceptualism and its legacies in the United States between the late 1960s and the 1990s. It focuses on the turn to political reference in practices originally concerned with abstract ideas, as articulated by Joseph Kosuth, and traces key strategies in contemporary art to the reciprocal influences of conceptualism and identity politics: movements that have so far been historicised as mutually exclusive. It offers a study of Adrian Piper, David Hammons, Renée Green, Mary Kelly, Martha Rosler, Silvia Kolbowski, Daniel Joseph Martinez, Lorna Simpson, Hans Haacke, Andrea Fraser and Charles Gaines. By turning to social issues, these artists analysed the conventions of language, photography, moving image, installation and display.
Traces two intersecting trajectories in American art. It shows how rights-based 1960s politics and the identity politics of the 1970s influenced the development of Conceptual art (with a capital 'C') into the diverse set of practices generally characterised as conceptualist (with a lower-case 'c').
Introduction1. Conceptual Art and identity politics: from the 1960s to the 1990s2. Adrian Piper: the body after conceptualism3. The synthetic proposition: conceptualism as political art4. The political referent in debate: identity, difference, representation5. Institutional gender: from Hans Haackes Systems Theory to Andrea Frasers feminist economiesA state of passionate detachment: Charles Gaines by way of conclusionIndex

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