Poems by Gerard Legro

ALESSANDRO PORCO is a poet, critic, and scholar from Toronto, Canada. He earned his Ph.D. from the State University of New York at Buffalo. His research focuses on twentieth-century poetry and poetics. Porco lives in Wilmington, where he is an Assistant Professor of English at UNCW.

Poetry. Edited, annotated, and with an introduction by Alessandro Porco. In the spring and summer of 1949, Jerrold Levy and Richard Negro--two teenage pranksters with the right mix of bad attitude and artistic ingenuity--composed, circulated, and performed a collection of poems on the campus of Black Mountain College, an experimental school located just outside Asheville, North Carolina. Now, BookThug brings this previously unpublished work to light for the first time in POEMS BY GERARD LEGRO, edited with annotations by noted Canadian poet and scholar Alessandro Porco. Porco's insightful work (including a critical introduction, explanatory notes, and rare photographs sourced from archival documents and historical materials) offers an enlightening exploration of a side of the Black Mountain College canon that's rarely seen. Rich with aleatory compositional methods and found materials, and replete with scatological puns, doggerel rhymes, and surreal imagery, POEMS BY GERARD LEGRO was meant to be a critique of the 'obscurity' of modernist poetry from two disaffected teens in post-war America who were desperate to fight back against aesthetic and moral codes of maturity, propriety, and sophistication. "Beautiful Gerard Legro is alive. At Black Mountain College two students rebelled against their teachers, Josef Albers and Charles Olson, to create a mythic figure-part hoax, part avatar of disenchanted youth-who is entirely their own... These poems are a vital addition to the history of the extraordinary educational experiment that was Black Mountain."--Kaplan Harris "The literary history of Black Mountain College has received a useful amplification and illumination in the form of POEMS BY GERARD LEGRO... Through his detailed and insightful introduction, and in his careful annotation of both the poems and the circums