The Night

Rodrigo Blanco Calderón is a writer and editor. He has received various awards for his stories both inside and outside Venezuela. In 2007 he was invited to join the Bogotá39 group, which brings together the best Latin American narrators under thirty-nine years old. In 2013 he was a guest writer on the International Writing Program at the University of Iowa. In 2014, his story "Emuntorios" was included in Thirteen Crime Stories from Latin America, volume number 46 of the prestigious magazine McSweeney's. With his first novel, The Night, he won the 2016 Paris Rive Gauche Prize, the Critics Award in Venezuela and the 2019 Mario Vargas Llosa Biennial Prize. Daniel Hahn is a writer, editor, and translator with sixty-something books to his name. He has won the Independent Foreign Fiction Prize, the International Dublin Literary Award, and the Blue Peter Book Award and been shortlisted for the Man Booker International Prize, among many others. He lives in London, England. Noel Hernández González is a writer and translator. Originally from Spain, he lives in Norwich, England.

For readers who love Bolaño, a new voice of Latin American fiction, winner of the Mario Vargas Llosa Prize.

Recurring blackouts envelop Caracas in an inescapable darkness that makes nightmares come true. Real and fictional characters, most of them are writers, exchange the role of narrator in this polyphonic novel. They recount contradictory versions of the plot, a series of femicides that began with the energy crisis. The central narrator is a psychiatrist who manipulates the accounts of his friend, an author writing a book titled The Night; and his patient, an advertising executive obsessed with understanding the world through word puzzles. The author shifts between crime fiction and metafiction, cautioning readers that the events retold are both true and manipulated. This is a political novel about the financial crisis and socio-political division in Venezuela from 2008 to 2010. The title of the book, originally also in English, is a gesture towards Chavism's failure to resist US influence. Yet, the form is unapologetically literary, a reflection on the depiction and distortion of reality through storytelling. Blanco Calderón said about the potential of language, "I am convinced that all the evil in the world begins in them: in words."