Beschreibung:
By Christopher Semk
Playing the Martyr is the first English-language book devoted to the productive encounter between theater and religion in early modern France. Drawing on a wide range of sources, Playing the Martyr investigates how early modern playwrights and critics engaged with religion both on stage and off in order to reflect on the nature of theater.
AcknowledgmentsIntroduction: A Christian Melpomene?Chapter 1: The Separation of Church and StageChapter 2: The Spectacle of Martyrdom and the Spectacle of the StageChapter 3: ¿Ex histrionis martyr factus:¿ Genesius, Acting, and MartyrdomChapter 4: Polyeucte, martyr and Corneille¿s Sacramental PoeticsEpilogue: Theater and Theology at the Threshold of ModernityBibliographyIndex