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Germaine de Staël in Germany
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Gender and Literary Authority (1800–1850)
Sofort lieferbar | Lieferzeit: Sofort lieferbar
Artikel-Nr:
9781611470352
Veröffentl:
2011
Seiten:
352
Autor:
Judith E. Martin
eBook Typ:
EPUB
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Englisch
Beschreibung:
This study of the impact of Staël and her novels in Germany from 1800-1850 focuses on debates over gender and authorship, first examining commentary and reviews by prominent literary men and women, and then analyzing a number of novels by women writers that rework Staël's themes of politics and female artistry. It revises women's literary history by replacing German women's writings within an international tradition of female artist novels inaugurated by Staël's Corinne (1807).
Germaine de Staël and German Women: Gender and Literary Authority (1800-1850) investigates Staël's significance as an icon of female artistic genius and political engagement for two generations of German women, including Caroline A. Fischer, Caroline Pichler, Johanna Schopenhauer, Bettina von Arnim, Ida Hahn-Hahn, and Luise Mühlbach. These authors drew a significant impetus from Staël's exemplary life and writings, especially her influential novels of political and artistic heroines, Delphine (1802) and Corinne, or Italy (1807), referring to them in order to authorize their own discourses on art and politics, and to buttress their identity as writers in a period when female authorship generated intense controversy. Taking references to Staël and her texts as a starting point opens fresh perspectives on German women's novels, while at the same time revealing their authors' participation in the broader European women's literary tradition. Whereas several novels from the first decade of the century echo Delphine by uniting domestic fiction with political themes, Staël's epoch-making novel of female poetic genius, Corinne, left a more lasting literary legacy in a tradition of German female artist novels. Corinne exemplified the creative woman's dilemma between fame and love, and subsequent German novelists explore this conflict, while several also emulate Staël's myth-making in Corinne as a strategy for attributing transcendent genius to their heroines. Reading for subtexts of female self-expression and development brings to light counter-narratives of female creative transcendence, often evoked through allusions to mythological figures. Martin suggests a revision of German literary history by uncovering a neglected tradition of artist novels positioned between the German Künstlerroman and Staël's newly inaugurated international dialogue on women's role in public culture.
1 Introduction
2 Part I: Staël as Icon of Female Celebrity and Political Engagement
3 Chapter 1: Staël in German Discourse on Literature, Gender, and National Character
4 Chapter 2: Early Fictional Responses: Politics, National Identity, and Gender in the Novels of Karoline Paulus and F.H. Unger
5 Part II: Staël'sCorinne and the Female Artisit Novel
6 Chapter 3:Corinne and the Female Artisit Novel: Caroline Auguste Fischer's Romantic Defiance
7 Chapter 4: Caroline Pichler's and Johanna Schopenhaur's Restoration Conformity: Corinne as an Underground Artist
8 Chapter 5: Radical Revisions by Ida Hahn-Hahn and Luise Mühlbach: Art, Love, and Emancipation in theVormarz
9 Conclusion
10 Bibliography
2 Part I: Staël as Icon of Female Celebrity and Political Engagement
3 Chapter 1: Staël in German Discourse on Literature, Gender, and National Character
4 Chapter 2: Early Fictional Responses: Politics, National Identity, and Gender in the Novels of Karoline Paulus and F.H. Unger
5 Part II: Staël'sCorinne and the Female Artisit Novel
6 Chapter 3:Corinne and the Female Artisit Novel: Caroline Auguste Fischer's Romantic Defiance
7 Chapter 4: Caroline Pichler's and Johanna Schopenhaur's Restoration Conformity: Corinne as an Underground Artist
8 Chapter 5: Radical Revisions by Ida Hahn-Hahn and Luise Mühlbach: Art, Love, and Emancipation in theVormarz
9 Conclusion
10 Bibliography