Beschreibung:
Norman K. Denzin is Distinguished Professor of Communications, College of Communications Scholar, and Research Professor of Communications, Sociology, and Humanities at the University of Illinois, Urbana-Champaign.
Norman Denzin shows how artistic representations of Little Big Horn demonstrate the changing perceptions¿often racist¿of Native America by the majority culture in this multilayered performance ethnography
Chapter One: A Good Day to Die: The Battle of Many Names, Part One Chapter Two: Whose Last Stand: The Early Paintings Chapter Three: A Brewery Buys a Painting: Aneheuser-Bush and Cassilly Adams Chapter Four: Whose Custer? Chapter Five: Killing Custer: Reading Red Horse Chapter Six: Here Custer Fell Chapter Seven: Custer, Cody, Sitting Bull, and Wild West Shows Chapter Eight: Buffalo Bill's Museum, Custer and Western Art Chapter Nine: Art, Robber Barons and the New West Chapter Ten: The Last Rodeo Notes References Index About the Author