Mel Gibson’s Passion

Mel Gibson’s Passion
The Film, the Controversy, and its Implications
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Artikel-Nr:
9781557534057
Veröffentl:
2006
Einband:
Paperback
Erscheinungsdatum:
14.02.2006
Seiten:
194
Autor:
Zev Garber
Gewicht:
290 g
Format:
229x152x11 mm
Sprache:
Englisch
Beschreibung:

Zev Garber is Emeritus Professor and Chair of Jewish Studies and Philosophy at Los Angeles Valley College, and he has also served as Visiting Professor of Religious Studies at the University of California at Riverside, Visiting Rosenthal Professor of Judaic Studies at Case Western Reserve University, and as President of the National Association of Professors of Hebrew. As Emeritus Editor of Shofar and founding Editor of Shofat Supplements in Jewish Studies and Studies in the Shoah series, he has presented and/or written hundreds of articles and reviews (academic and popular) in the areas of Judaica, Shoah, Jewish Jesus, and interfaith dialogue. He has authored and edited 15 academic books, including, Mel Gibson's Passion: The Film, the Controversy, and Its Implications; The Jewish Jesus: Revelation, Reflection, Reclamation; Teaching the Historical Jesus; and Judaism and Jesus (co-author, Ken Hanson). Colleagues and scholars acknowledge his academic scholarship and leadership in The Maven in Blue Jeans: A Festschrift in Honor of Zev Garber (Purdue University Press, 2009).
Mel Gibson's film, The Passion of the Christ, was released on Ash Wednesday, February 24, 2004 to capacity audiences in theatres and auditoriums across the U.S. and other countries. Prior to the film's release, a groundswell of controversy filled the airwaves and media outlets. Some religious groups protested the film, while others embraced it. Mel Gibson focuses on the Passion not the life nor resurrection of Christ. By doing so, he leaves out most of the elements of the Jesus story familiar to Christians and consequently he adds non-biblical gruesome details foreign to the Gospels. Mel Gibson's Passion: The Film, the Controversy, and Its Implications exposes the flaws of Gibson's cinematic Christ and lays out assertively and persuasively the rationale of Jews and Christians in how to grasp and comprehend the passion and execution of the Christian savior known scripturally as the "King of the Jews."

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