Montage

Montage is an informed and highly original study in the styles and histories of film editing. Drawing on a wide range of directors and films, the book demonstrates the fundamental importance of montage aesthetics to the art of cinema and the practice of film criticism.

Montage enters into a dialogue with the cinema, probing and playing with its language of motion and stillness, continuity and discontinuity, constraint and openness, time and duration. Comprised of a series of elegantly-written and intellectually vibrant essays, Sam Rohdie’s book carefully expresses his ideas and arguments in a manner free from the complexities of contemporary theory and cultural criticism.As much a book written with the cinema as about it, Montage explores associative and comparative possibilities in the films of directors such as Takeshi Kitano, Jean Renoir, D.W. Griffith, Howard Hawks, Lev Kulsehov, Sergei Eisenstein and Alfred Hitchcock. It offers new and fascinating perspectives on mise en scène, framing, shots, and narrative variation. In combining the sensitive analysis of film forms and structures with an awareness of their historical and artistic relation to other art forms, it also elucidates an appreciation of montage aesthetics that is attentive to the influences of photography, painting and other arts.Montage is a book that will enrich our ways of seeing, understanding, and enjoying the cinema.

IntroductionEadwaerd MuybridgeTakeshi KitanoTakeshi Kitano (2)Pier Paolo PasoliniLev KuleshovSergei EisensteinSergei Eisenstein (2)David Wark GriffithDavid Wark Griffith (2)David Wark Griffith (3)Éric RohmerAlfred HitchcockSamuel FullerDziga VertovHoward HawksHoward Hawks (2)Jean RenoirJean Renoir (2)Jacques RivetteMichelangelo AntonioniMichelangelo Antonioni (2)Jacques Rivette (2)Alain ResnaisAlain Resnais (2)Étienne-Jules MareyBibliography