The looking machine

The looking machine
-0 %
Der Artikel wird am Ende des Bestellprozesses zum Download zur Verfügung gestellt.
Essays on cinema, anthropology and documentary filmmaking
 EPUB
Sofort lieferbar | Lieferzeit: Sofort lieferbar

Unser bisheriger Preis:ORGPRICE: 32,99 €

Jetzt 32,98 €* EPUB

Artikel-Nr:
9781526134127
Veröffentl:
2019
Einband:
EPUB
Seiten:
224
Autor:
David MacDougall
eBook Typ:
EPUB
eBook Format:
Reflowable EPUB
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Englisch
Beschreibung:

This new collection of essays presents the latest thoughts of one of the world’s leading ethnographic filmmakers and writers on cinema. It will provide essential reading for students in cinema studies, filmmaking, and visual anthropology. The dozen wide-ranging essays give unique insights into the history of documentary, how films evoke space, time and physical sensations, and the intellectual and emotional links between filmmakers and their subjects. In an era of reality television, historical re-enactments, and designer packaging, MacDougall defends the principles that inspired the earliest practitioners of documentary cinema. He urges us to consider how the form can more accurately reflect the realities of our everyday lives. Building on his own practice in filmmaking, he argues that this means resisting the pressures for self-censorship and the inherent ethnocentrism of our own society and those we film.
This book of essays brings together his latest ideas on filming, documentary, anthropology and the art of cinema, based on his practice as an award-winning maker of ethnographic films.
This new collection of essays presents the latest thoughts of one of the world’s leading ethnographic filmmakers and writers on cinema. It will provide essential reading for students in cinema studies, filmmaking, and visual anthropology. The dozen wide-ranging essays give unique insights into the history of documentary, how films evoke space, time and physical sensations, and the intellectual and emotional links between filmmakers and their subjects. In an era of reality television, historical re-enactments, and designer packaging, MacDougall defends the principles that inspired the earliest practitioners of documentary cinema. He urges us to consider how the form can more accurately reflect the realities of our everyday lives. Building on his own practice in filmmaking, he argues that this means resisting the pressures for self-censorship and the inherent ethnocentrism of our own society and those we film.

Introduction

Part I: Filmmaking as practice
1 Looking with a camera
2 Dislocation as method
3 Camera, mind, and eye
4 Environments of childhood

Part II: Film and the senses
5 The third tendency in cinema
6 Sensational cinema
7 The experience of colour
8 Notes on cinematic space

Part III: Film, anthropology and the documentary tradition
9 Observation in the cinema
10 Anthropology and the cinematic imagination
11 Anthropological filmmaking: an empirical art
12 Documentary and its doubles

Bibliography
Filmography
Index

Kunden Rezensionen

Zu diesem Artikel ist noch keine Rezension vorhanden.
Helfen sie anderen Besuchern und verfassen Sie selbst eine Rezension.