Part One: Performing Humanity, Animality, and Gender
Chapter One: Female Beasties: Camp Resistance in 1950s Wom-Animal Creature Features
Bridgitte Barclay
Chapter Two: “Either you’re mine or you’re not mine”: Controlling Gender, Nature, and Technology in Her and Ex Machina
Christy Tidwell
Chapter Three: Octavia Butler and the Language of the Flesh: Re-Writing Nature in Wild Seed
Amelia Z. Greene
Part Two: Gendering the Natural World
Chapter Four: Tendrils, Tentacles, and Flower Power: Speciesism in Womaneater (1958) and The Gardener (1974)
Fernando Gabriel Pagnoni Berns and Juan Juvé
Chapter Five: “So Very Natural an Occurrence”: Engendering Nature’s Antagonism in Mary Shelley’s The Last Man
Steve Asselin
Part Three: Contemporary Queering
Chapter Six: Engineered Nature, (En)gendered Nature in Kim Stanley Robinson’s 2312
Tyler Harper
Chapter Seven: Ecologies of Sound: Queer Intimacy, Trans-Corporeality, and Reproduction in
Upstream Color
Stina Attebery
Part Four: “We Don’t Need Another Hero”
Chapter Eight: Nature Boys & Bears in Pants: Ecoqueer Hybrid Heroes in Atomic Age Comics
Jill E. Anderson
Chapter Nine: Saving Eden: Whiteness, Masculinity, and Environmental Nostalgia in Soylent Green and WALL-E
Michelle Yates
Chapter Ten: Mad Max: Beyond Petroleum?
Carter Soles