Beschreibung:
The book is the first collection of essays on Graham Swift’s work. As a collaborative effort of scholars from several countries, it looks at his fiction from different interpretative angles, combining a variety of critical and theoretical approaches.
This collection of essays on Graham Swift’s fiction brings together the perspectives of renowned Swift scholars from around the world. Authors look at the swift’s oeuvre from different interpretative angles, combining a variety of critical and theoretical approaches. This book covers all of Swift’s fiction, including his novels and short stories; special emphasis, however, is on his most recent books. By approaching Swift’s work from a number of perspectives, the volume offers a synthetic overview of his literary output. In particular, it searches for thematic and formal continuities between his early and more recent fiction, and attempts to emphasize its new developments and interests.
Introduction
Tomasz Dobrogoszcz and Marta Goszczyńska
Part 1: Beginnings and Continuities
Chapter 1: Trauma and Confliction in The Sweet-Shop Owner and Waterland
Philip Tew
Chapter 2: Reticent Detecting: The Evolution of Swift’s (Un)Confessing Narrators
Anastasia Logotheti
Chapter 3: Masculinity as Failure: Male Characters in Learning to Swim and England and Other Stories
Katarzyna Ostalska
Part 2: Progressions and Evolutions
Chapter 4: Nostalgia, Sentiments, and Men in Out of This World
Katarzyna Więckowska
Chapter 5: The Father Delusion in Ever After
Tomasz Dobrogoszcz
Chapter 6: Filming the Unfilmable: Last Orders on Screen
Adam Sumera
Chapter 7: Re-Joycing Tomorrow: Graham Swift, Artificial Insemination, and the Question of Literary Paternity
Donald Kaczvinsky
Part 3: Recent Developments
Chapter 8: Forget ‘Green English Fields’: War(s) in Wish You Were Here
Catherine Pesso-Miquel
Chapter 9: Spectres of Silence in Wish You Were Here
Sławomir Konkol
Chapter 10: The England in Englandand Other Stories
David Malcolm
Chapter 11: Lost for Words: Narration, Language and Communication in England and Other Stories
Marta Goszczyńska
Chapter 12: ‘So How Did You Become a Writer?’: Metafictional Concerns in Mothering Sunday
Bożena Kucała