Beschreibung:
Shawn Loht is institutional researcher at Baton Rouge Community College.
This interdisciplinary study explores the relevance and application of Martin Heidegger's phenomenology to key issues in the philosophy film. It develops a comprehensive look at how Heidegger's thought illuminates historical and contemporary problems the film medium poses to philosophers.
PrefaceAcknowledgementsChapter One: Precis to a Heideggerian Phenomenology of FilmChapter Two: Heidegger's Being and Time: Film Experience as Being-in-the-WorldChapter Three: Film and Heidegger's Philosophy of ArtChapter Four: Phenomenology and the Concept of Film-as-PhilosophyChapter Five: Terrence MalickChapter Six: Michael Haneke's Code Unknown and The White RibbonChapter Seven: David Gordon Green's Joe, and an AfterwordBibliography