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Modernism and Still Life
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Artists, Writers, Dancers
Besorgungstitel - wird vorgemerkt | Lieferzeit: Besorgungstitel - Lieferbar innerhalb von 10 Werktagen I
Artikel-Nr:
9781474455138
Veröffentl:
2020
Erscheinungsdatum:
12.03.2020
Seiten:
256
Autor:
Claudia Tobin
Gewicht:
590 g
Format:
236x157x18 mm
Sprache:
Englisch
Beschreibung:
Dr Claudia Tobin is a Leverhulme Early Career Fellow in English at the University of Cambridge. She has held fellowships at the Paul Mellon Centre for British Art and the Huntington Library, California. She has published commissioned articles, scholarly book chapters, and exhibition catalogues on interdisciplinary topics including Virginia Woolf and still life, modernism and colour, and on Vanessa Bell's abstract painting as part of Tate's 'In Focus' series. She is General Editor, with Julian Bell, of Ways of Drawing, Thames & Hudson (2019).
Explores the 'still life spirit' in modern painting, prose, dance, sculpture and poetry
The late nineteenth and early twentieth centuries have been characterised as the 'age of speed' but they also witnessed a reanimation of still life across different art forms. This book takes an original approach to still life in modern literature and the visual arts by examining the potential for movement and transformation in the idea of stillness and the ordinary. It ranges widely in its material, taking Cézanne and literary responses to his still life painting as its point of departure. It investigates constellations of writers, visual artists and dancers including D. H. Lawrence, Virginia Woolf, David Jones, Winifred Nicholson, Wallace Stevens, and lesser-known figures including Charles Mauron and Margaret Morris.
Claudia Tobin reveals that at the heart of modern art were forms of stillness that were intimately bound up with movement: the still life emerges charged with animation, vibration and rhythm. It is an unstable medium, unexpectedly vital and well suited to the expression of modern concerns.
Claudia Tobin is Leverhulme Early Career Fellow in English at the University of Cambridge and a Research Associate at Jesus College.
The late nineteenth and early twentieth centuries have been characterised as the 'age of speed' but they also witnessed a reanimation of still life across different art forms. This book takes an original approach to still life in modern literature and the visual arts by examining the potential for movement and transformation in the idea of stillness and the ordinary. It ranges widely in its material, taking Cézanne and literary responses to his still life painting as its point of departure. It investigates constellations of writers, visual artists and dancers including D. H. Lawrence, Virginia Woolf, David Jones, Winifred Nicholson, Wallace Stevens, and lesser-known figures including Charles Mauron and Margaret Morris.
Claudia Tobin reveals that at the heart of modern art were forms of stillness that were intimately bound up with movement: the still life emerges charged with animation, vibration and rhythm. It is an unstable medium, unexpectedly vital and well suited to the expression of modern concerns.
Claudia Tobin is Leverhulme Early Career Fellow in English at the University of Cambridge and a Research Associate at Jesus College.
Introduction: 'Nothing is statically at rest': Cézanne and modern still life; 1. 'Quivering yet still': Virginia Woolf, Roger Fry, and the aesthetics of attention; 2. Still Life in Motion; 3. 'Past the gap where we cannot see': Still life and the 'numinous' in British painting of the 1920s-30s; 4. Wallace Stevens, Charles Mauron and 'inactive contemplation'; Conclusion: 'On the very brink of utterance': Aldous Huxley, Mark Gertler, and Transfigured Things; Index.