Forgetting Differences

Examines the impact of the royal politics of amnesia on tragedy and national historiography in France, 1560-1630This study argues that the political and legislative process of forgetting internal differences, undertaken in France after the civil wars of the sixteenth century, leads to subtle yet fundamental shifts in the broader conception of the relationship between readers or spectators on the one hand, and the matter of history, on the other. These shifts, occasioned by the desire for communal reconciliation and generally associated with an increasingly modern sensibility, will nonetheless prove useful to the ideologies of cultural and political absolutism. By juxtaposing representations of the French civil war past as they appear (and frequently overlap) in historiography and tragedy from 1550-1630, Andrea Frisch tracks changes in the ways in which history and tragedy sought to 'move' readers throughout the period of the wars and in their wake. The book shows that a shift from a politically (and martially) active reading of the past to a primarily affective one follows the imperative, so clear and urgent at the turn of the seventeenth century, to put an end to violent conflict. The emotions that neoclassical tragedy and absolutist historiography sought to elicit were intended above all to be shared, and thus a medium via which political and religious differences could be downplayed or forgotten. The book aims to illuminate some of the ways in which the experience of the wars of religion, as registered in tragedy and historiography, contributed to a restructuring of the ever-vital relationship between emotion and politics, and thereby to historicize the very concept of 'esmouvoir'.Key FeaturesConfronts historiography and tragedy in the era of the French Wars of ReligionAddresses the themes of amnesty, pardon, memory, and forgetting in the context of civil warProvides both close readings and a broad argument about the impact of the monarchical politics of reconciliation on conceptions of how history and tragedy should 'move' their audiencesTreats multiple French authors including Andre de Nesmond; Henri-Lancelot Voisin de la Popeliniere; Pierre Matthieu; Jean de la Taille; Robert GarnierAndrea Frisch is Associate Professor of French and Comparative Literature at the University of Maryland. KeywordsFrench Wars of Religion; Saint Bartholomew's Day massacres; Edict of Nantes; tragedy; historiography; emotion; reconciliation; Henri IV (Henri de Navarre); Robert Garnier; Pierre MatthieuSubject: Literature

Examines the impact of the royal politics of amnesia on tragedy and national historiography in France, 1560-1630This study argues that the political and legislative process of forgetting internal differences, undertaken in France after the civil wars of the sixteenth century, leads to subtle yet fundamental shifts in the broader conception of the relationship between readers or spectators on the one hand, and the matter of history, on the other. These shifts, occasioned by the desire for communal reconciliation and generally associated with an increasingly modern sensibility, will nonetheless prove useful to the ideologies of cultural and political absolutism. By juxtaposing representations of the French civil war past as they appear (and frequently overlap) in historiography and tragedy from 1550-1630, Andrea Frisch tracks changes in the ways in which history and tragedy sought to 'move' readers throughout the period of the wars and in their wake. The book shows that a shift from a politically (and martially) active reading of the past to a primarily affective one follows the imperative, so clear and urgent at the turn of the seventeenth century, to put an end to violent conflict. The emotions that neoclassical tragedy and absolutist historiography sought to elicit were intended above all to be shared, and thus a medium via which political and religious differences could be downplayed or forgotten. The book aims to illuminate some of the ways in which the experience of the wars of religion, as registered in tragedy and historiography, contributed to a restructuring of the ever-vital relationship between emotion and politics, and thereby to historicize the very concept of 'esmouvoir'.Key FeaturesConfronts historiography and tragedy in the era of the French Wars of ReligionAddresses the themes of amnesty, pardon, memory, and forgetting in the context of civil warProvides both close readings and a broad argument about the impact of the monarchical politics of reconciliation on conceptions of how history and tragedy should 'move' their audiencesTreats multiple French authors including Andre de Nesmond; Henri-Lancelot Voisin de la Popeliniere; Pierre Matthieu; Jean de la Taille; Robert GarnierAndrea Frisch is Associate Professor of French and Comparative Literature at the University of Maryland. KeywordsFrench Wars of Religion; Saint Bartholomew's Day massacres; Edict of Nantes; tragedy; historiography; emotion; reconciliation; Henri IV (Henri de Navarre); Robert Garnier; Pierre MatthieuSubject: Literature