A Cultural History of Tragedy in the Age of Enlightenment

Mitchell Greenberg is the Goldwin Smith Professor of Romance Studies at Cornell University, USA.

The period covered by this volume in the Cultural History of Tragedy set is bookended by two shockingly similar historical events: the beheading of a king, Charles I of England in 1649 and Louis XIV of France in 1793. The period between these two dates saw enormous political, social and economic changes that altered European society's cultural life. Tragedy, which had dominated the European stage at the beginning of this period, gradually saw itself replaced by new literary forms, culminating in the gradual decline of theatrical tragedy from the heights it had reached in the 1660s.The dominance of France's military and cultural prestige during this period is reflected in the important, almost exclusive, space dedicated in this volume to the French stage. This book covers the tragedies of France's two greatest playwrights - Pierre Corneille (1606-84) and Jean Racine (1639-99) - which would dominate not only the French stage but, through translations and adaptations, became the model of tragic theater across Europe, finding imitators in England (Dryden), Italy (Alfieri) and as far afield as Russia. This dominance continued well into the 18th century with the triumph of Voltaire's tragedies. This volume also examines how the writings of Diderot and Lessing changed the direction of theatre and how after the Revolution, in the writings of Goethe, Shiller, Hegel, tragedy and the tragic were reimagined and became the sign of European modernity.Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.

Organized thematically to provide a variety of perspectives on the genre of tragedy and how it has been shaped by social and cultural conditions

Notes on ContributorsList of IllustrationsList of GraphsSeries PrefaceIntroduction: Definitions and Understandings, Mitchell Greenberg (Cornell University, USA)1. Forms and Media, Christian Biet (University of Paris Nanterre and Institut Universitaire de France, France)2. Sites of Performance and Circulation, Jan Clarke (Durham University, UK)3. Communities of Production and Consumption, Sylvaine Guyot (Harvard University, USA) and Clotilde Thouret (Lorraine University, France)4. Philosophy and Social Theory, Jonathan Strauss (Miami University, USA)5. Religion, Ritual and Myth, Juliette Cherbuliez (University of Minnesota) and Christopher Semk (Independent Scholar)6. Politics of City and Nation, Julie Stone Peters (Columbia University, USA)7. Society and Family, John D. Lyons (University of Virginia, USA)8. Gender and Sexuality, Jennifer Row (University of Minnesota, USA)NotesBibliographyIndex