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The Ambivalent Legacy of Elia Kazan
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The Politics of the Post-HUAC Films
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Artikel-Nr:
9781442271678
Veröffentl:
2016
Einband:
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Erscheinungsdatum:
22.11.2016
Seiten:
276
Autor:
Ron Briley
Gewicht:
605 g
Format:
235x157x21 mm
Serie:
Film and History
Sprache:
Englisch
Beschreibung:
Ron Briley has taught American history and film classes at Sandia Preparatory School in Albuquerque, New Mexico, for the last thirty-five years. In addition to numerous scholarly articles and presentations, he has written and edited Class at Bat, Class on Deck, and Gender in the Hole (2003), James T. Farrell¿s Dreaming Baseball (2007), All-Stars and Movie Stars (2008), The Politics of Baseball (2010), and The Baseball Film in Postwar America (2011).
In 1952, Elia Kazan testified before the House Un-American Activities Committee (HUAC) investigating alleged communist infiltration of the entertainment industry. The cloud of this cooperation, which assured that the filmmaker would avoid the blacklist, plagued Kazan throughout the remainder of his life and career. This book presents a close analysis of Kazan's cinema following his testimony, examining the political themes they conveyed, in order to gain a better understanding of the filmmaker's consciousness.The films covered in this volume include Viva Zapata (1952), On the Waterfront (1954), East of Eden (1954), Baby Doll (1956), A Face in the Crowd (1957), Splendor in the Grass (1961), America, America (1963), and The Last Tycoon (1976).