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Manele in Romania
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Cultural Expression and Social Meaning in Balkan Popular Music
Sofort lieferbar | Lieferzeit: Sofort lieferbar
Artikel-Nr:
9781442267084
Veröffentl:
2016
Seiten:
348
Autor:
Margaret Beissinger
Serie:
21, Europea: Ethnomusicologies and Modernities
eBook Typ:
EPUB
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Englisch
Beschreibung:
This edited volume examines manele (sg. manea), an urban Romanian song-dance ethnopop genre that combines local traditional and popular music with Balkan and Middle Eastern elements. The genre is performed primarily by male Romani musicians at weddings and clubs and appeals especially to Romanian and Romani youth. It became immensely popular after the collapse of communism, representing for many the newly liberated social conditions of the post-1989 world. But manele have also engendered much controversy among the educated and professional elite, who view the genre as vulgar and even “alien” to the Romanian national character. The essays collected here examine the “manea phenomenon” as a vibrant form of cultural expression that engages in several levels of social meaning, all informed by historical conditions, politics, aesthetics, tradition, ethnicity, gender, class, and geography.
This edited volume examines manele (sing. manea), an urban Romanian song-dance ethnopop genre that combines local traditional and popular music with Balkan and Middle Eastern elements. The genre is performed primarily by male Romani musicians at weddings and clubs and appeals especially to Romanian and Romani youth. It became immensely popular after the collapse of communism, representing for many the newly liberated social conditions of the post-1989 world. But manele have also engendered much controversy among the educated and professional elite, who view the genre as vulgar and even “alien” to the Romanian national character. The essays collected here examine the “manea phenomenon” as a vibrant form of cultural expression that engages in several levels of social meaning, all informed by historical conditions, politics, aesthetics, tradition, ethnicity, gender, class, and geography.
Chapter 1: “Music, Dance, Performance: A Descriptive Analysis of Manele”
Speranţa Rădulescu and Anca Giurchescu
Chapter 2: “A History of the Manea: The 19th to the Mid-20th Century”
Costin Moisil
Chapter 3: “Actors and Performance”
Anca Giurchescu and Speranţa Rădulescu
Chapter 4: “How the Music of Manele is Structured”
Speranţa Rădulescu
Chapter 5: “Village Manele: An Urban Genre in Rural Romania”
Margaret Beissinger
Chapter 6: “Manele and Regional Parallels: Ethnopop in the Balkans”
Margaret Beissinger
Chapter 7:“Manele and the Underworld”
Adrian Şchiop
Chapter 8: “‘Boyar in the Helicopter’: Power, Parody, and Carnival in Manea Performances”
Victor Stoichiţă
Chapter 9: “Turbo-Authenticity: An Essay about ‘Manelism’”
Vintilă Mihăilescu
Epilogue
Speranţa Rădulescu
Speranţa Rădulescu and Anca Giurchescu
Chapter 2: “A History of the Manea: The 19th to the Mid-20th Century”
Costin Moisil
Chapter 3: “Actors and Performance”
Anca Giurchescu and Speranţa Rădulescu
Chapter 4: “How the Music of Manele is Structured”
Speranţa Rădulescu
Chapter 5: “Village Manele: An Urban Genre in Rural Romania”
Margaret Beissinger
Chapter 6: “Manele and Regional Parallels: Ethnopop in the Balkans”
Margaret Beissinger
Chapter 7:“Manele and the Underworld”
Adrian Şchiop
Chapter 8: “‘Boyar in the Helicopter’: Power, Parody, and Carnival in Manea Performances”
Victor Stoichiţă
Chapter 9: “Turbo-Authenticity: An Essay about ‘Manelism’”
Vintilă Mihăilescu
Epilogue
Speranţa Rădulescu