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Doctor Who and the Art of Adaptation
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Fifty Years of Storytelling
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Artikel-Nr:
9781442232853
Veröffentl:
2014
Seiten:
244
Autor:
Marcus K. Harmes
Serie:
Science Fiction Television
eBook Typ:
EPUB
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Englisch
Beschreibung:
Doctor Who is one of the most enduring British programs over the last 50 years and its success has translated to the U.S., where it has been shown for decades, first on PBS stations and currently on BBC America. This book looks at how the writers and producers of Doctor Who have adapted—and will no doubt continue to do so—various texts to create many episodes throughout the show’s history.
Although it started as a British television show with a small but devoted fan base, Doctor Who has grown in popularity and now appeals to audiences around the world. In the fifty-year history of the program, Doctor Who’s producers and scriptwriters have drawn on a dizzying array of literary sources and inspirations. Elements from Homer, classic literature, gothic horror, swashbucklers, Jacobean revenge tragedies, Orwellian dystopias, Westerns, and the novels of Agatha Christie and Evelyn Waugh have all been woven into the fabric of the series. One famous storyline from the mid-1970s was rooted in the Victoriana of authors like H. Rider Haggard and Arthur Conan Doyle, and another was a virtual remake of Anthony Hope’s The Prisoner of Zenda—with robots!
In Doctor Who and the Art of Adaptation: Fifty Years of Storytelling, Marcus Harmes looks at the show’s frequent exploration of other sources to create memorable episodes. Harmes observes that adaptation in Doctor Who is not just a matter of transferring literary works to the screen, but of bringing a diversity of texts into dialogue with the established mythology of the series as well as with longstanding science fiction tropes. In this process, original stories are not just resituated, but transformed into new works. Harmes considers what this approach reveals about adaptation, television production, the art of storytelling, and the long-term success and cultural resonance enjoyed by Doctor Who.
Doctor Who and the Art of Adaptation will be of interest to students of literature and television alike, and to scholars interested in adaptation studies. It will also appeal to fans of the series interested in tracing the deep cultural roots of television’s longest-running and most literate science-fiction adventure.
In Doctor Who and the Art of Adaptation: Fifty Years of Storytelling, Marcus Harmes looks at the show’s frequent exploration of other sources to create memorable episodes. Harmes observes that adaptation in Doctor Who is not just a matter of transferring literary works to the screen, but of bringing a diversity of texts into dialogue with the established mythology of the series as well as with longstanding science fiction tropes. In this process, original stories are not just resituated, but transformed into new works. Harmes considers what this approach reveals about adaptation, television production, the art of storytelling, and the long-term success and cultural resonance enjoyed by Doctor Who.
Doctor Who and the Art of Adaptation will be of interest to students of literature and television alike, and to scholars interested in adaptation studies. It will also appeal to fans of the series interested in tracing the deep cultural roots of television’s longest-running and most literate science-fiction adventure.
Periods via lead actor
Acknowledgments
Editorial Note
Introduction
Chapter One: In the Beginning
Chapter Two: What Gets Adapted?
Chapter Three:Who Was Adapting?
Chapter Four: Motives for Adapting
Chapter Five: A Classical Education- Adapting History in Doctor Who
Chapter Six: Victorian Worlds in Doctor Who
Chapter Seven: Gothic Themes and Creative Tensions
Chapter Eight: British Westerns, American Frontiers, and a Marketing Strategy
Chapter Nine: Who-dunit? Agatha Christie in Time and Space
Chapter Ten: Tragedy, the Jacobeans… and Evelyn Waugh
Conclusion
Filmography
Bibliography
Index
About the Author
Acknowledgments
Editorial Note
Introduction
Chapter One: In the Beginning
Chapter Two: What Gets Adapted?
Chapter Three:Who Was Adapting?
Chapter Four: Motives for Adapting
Chapter Five: A Classical Education- Adapting History in Doctor Who
Chapter Six: Victorian Worlds in Doctor Who
Chapter Seven: Gothic Themes and Creative Tensions
Chapter Eight: British Westerns, American Frontiers, and a Marketing Strategy
Chapter Nine: Who-dunit? Agatha Christie in Time and Space
Chapter Ten: Tragedy, the Jacobeans… and Evelyn Waugh
Conclusion
Filmography
Bibliography
Index
About the Author