Dante’’s Sacred Poem

Dante’’s Sacred Poem
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Flesh and the Centrality of the Eucharist to the Divine Comedy
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Artikel-Nr:
9781441130839
Veröffentl:
2014
Einband:
EPUB
Seiten:
272
Autor:
Dr Sheila J. Nayar
eBook Typ:
EPUB
eBook Format:
EPUB
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Deutsch
Beschreibung:

Arguing that the consecrated body in the Eucharist is one of the central metaphors structuringThe Divine Comedy, this book is the first comprehensive exploration of the theme of transubstantiation across Dante''s epic poem. Drawing attention first to the historical and theological tensions inherent in ideas of transubstantiation that rippled through Western culture up to the early fourteenth century, Sheila Nayar engages in a Eucharistic reading of both the "flesh" allusions and "metamorphosis" motifs that thread through the entirety of Dante''s poem.

From the cannibalistic resonances of the Ugolino episode in theInferno to the Corpus Christi-like procession seminal toPurgatory, Nayar demonstrates how these sacrifice- and Host-related metaphors, allusions, and tropes lead directly and intentionally to theComedy''s final vision, that of the Eucharist itself. Arguing that the final revelation inParadise is analogically "the Bread of Life," Nayar brings to the fore Christ''s centrality (as sacrament) toThe Divine Comedy-a reading that is certain to alter current-day thinking about Dante''s poem.
Arguing that the consecrated body in the Eucharist is one of the central metaphors structuringThe Divine Comedy, this book is the first comprehensive exploration of the theme of transubstantiation across Dante''s epic poem. Drawing attention first to the historical and theological tensions inherent in ideas of transubstantiation that rippled through Western culture up to the early fourteenth century, Sheila Nayar engages in a Eucharistic reading of both the "flesh" allusions and "metamorphosis" motifs that thread through the entirety of Dante''s poem.

From the cannibalistic resonances of the Ugolino episode in theInferno to the Corpus Christi-like procession seminal toPurgatory, Nayar demonstrates how these sacrifice- and Host-related metaphors, allusions, and tropes lead directly and intentionally to theComedy''s final vision, that of the Eucharist itself. Arguing that the final revelation inParadise is analogically "the Bread of Life," Nayar brings to the fore Christ''s centrality (as sacrament) toThe Divine Comedy-a reading that is certain to alter current-day thinking about Dante''s poem.

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