Word Plays

According to Robert Brustein, the theater should be taken seriously as one of the fine arts, but it should also be considered a means to reflect on our world, times, and culture from a different perspective. However, this presents a great challenge-the masses must come to appreciate the theater as a means of leisure, but also one of learning. If Word Plays tickles your funny bone as well as touches your mind, then Brustein will have achieved his goal.Word Plays, a collection of Brustein's articles, satires, and skits, is his attempt to both entertain and educate about the current political and cultural environment in America. Openly positioning himself as a left-leaning political observer, Brustein's material is wide-ranging and witty. His provocative views on contemporary politics and his ease with a broad range of subjects, from Shakespeare to The Sopranos, makes this an enjoyable, engaging, and reflective volume.The book is divided into three sections. The first is a set of short essays, many of which link political themes to the dramatic arts and others that are purely political commentary. The second includes a series of "e;dramatic commentaries"e;-short skits- lampooning contemporary politics and modern American life. The final section consists of "e;elegies and eulogies"e; honoring recently deceased icons of the American theater.

According to Robert Brustein, the theater should be taken seriously as one of the fine arts, but it should also be considered a means to reflect on our world, times, and culture from a different perspective. However, this presents a great challenge-the masses must come to appreciate the theater as a means of leisure, but also one of learning. If Word Plays tickles your funny bone as well as touches your mind, then Brustein will have achieved his goal.Word Plays, a collection of Brustein's articles, satires, and skits, is his attempt to both entertain and educate about the current political and cultural environment in America. Openly positioning himself as a left-leaning political observer, Brustein's material is wide-ranging and witty. His provocative views on contemporary politics and his ease with a broad range of subjects, from Shakespeare to The Sopranos, makes this an enjoyable, engaging, and reflective volume.The book is divided into three sections. The first is a set of short essays, many of which link political themes to the dramatic arts and others that are purely political commentary. The second includes a series of "e;dramatic commentaries"e;-short skits- lampooning contemporary politics and modern American life. The final section consists of "e;elegies and eulogies"e; honoring recently deceased icons of the American theater.