Rachel Cusk

Roberta Garrett is Senior lecturer on the Creative Writing programme and the Media Foundation programme in the Department of Arts and Creative Industries at the University of East London, UK. She has published widely on representations of gender, class and race in popular literature and film. She is the author of Postmodern Chick-Flicks (2008) and Writing the Modern Family (2021) and co-editor of We Need to Talk About Family (2016).Liam Harrison is a Lecturer in Creative and Professional Writing at the University of the West of England, UK. He is also a founding editor of the Dublin-based literary journal Tolka. His research spans modernist legacies in contemporary literature, 21st-century Irish literature, publishing culture and autofiction. He is also a co-founder of the Contemporary Irish Literature Research Network.

Rachel Cusk is one of the most critically acclaimed and controversial contemporary British authors. Her diverse body of work offers a striking portrait of trends in 21st-century literature, and the history of Cusk's literary output is one of experimentation and a desire to push against established cultural models.Rachel Cusk: Contemporary Critical Perspectives is the first critical guide to Cusk's work, spanning novels including Saving Agnes, A Country Life, and Second Place, her 'autofictional' Outline trilogy, and her nonfiction A Life's Work, The Last Supper, Aftermath and the Coventry essays. Rigorous and wide-ranging, this book provides an accessible and lucid introduction to Cusk's work, exploring themes of gender relations, class dynamics, maternal identity and creative freedom. The collection concludes with an in-depth interview with Cusk, conducted by Merve Emre, reflecting on her influences, writing and experiences.Mapping the formal and stylistic shift across her career and locating them within their specific contexts, this collection provides a crucial analysis of Cusk's influences, politics, and literary techniques that speak to many of the most pressing issues in contemporary literature.

FOREWORDClare Hanson (University of Southampton)INTRODUCTIONRoberta Garrett (University of East London) and Liam Harrison (University of the West of England)CHAPTER ONELife Style: Rachel Cusk and the Critique of MinimalismPieter Vermeulen (University of Leuven)CHAPTER TWOMother Courage and Mother-Shaming: Rachel Cusk's Contribution to Maternal FeminismRoberta Garrett (University of East London)CHAPTER THREESerial Metaphors: Revising and Rewriting in Rachel Cusk's Life NarrativesRicarda Menn (KWI Essen)CHAPTER FOURPerceptions of Failure in Rachel Cusk's Saving Agnes and Second PlaceSonja Pyykkö (Freie Universität Berlin)CHAPTER FIVE'Some things are artificial and some are authentic': Rachel Cusk's Depth PerceptionDaniel Lea (Oxford Brookes University)CHAPTER SIXAutofictional Experiments and Serial Aesthetics in Rachel Cusk's OUTLINE TrilogyMelissa Schuh (CAU Kiel)CHAPTER SEVENBeing Sent to Coventry: Silence, Cruelty and Rachel Cusk's Discrepant StyleLiam Harrison (University of the West of England)AFTERWORDSecond Text: Biography, Intertextuality, and Art in Second PlacePeter Childs (Newman University)INTERVIEWAn Interview with Rachel CuskMerve Emre (Wesleyan University)REFERENCESINDEX