Cinematic Style

Jess Berry

From cinema's silent beginnings, fashion and interior design have been vital to character development and narrative structure. Despite spectacular technological advancements on screen, stunning silhouettes and striking spaces still have the ability to dazzle to dramatic effect. This book is the first to consider the significant interplay between fashion and interiors and their combined contribution to cinematic style from early film to the digital age.With examples from Frank Lloyd Wright inspired architecture in Hitchcock's North by Northwest, to Coco Chanel's costumes for Gloria Swanson and a Great Gatsby film-set turned Ralph Lauren flagship, Cinematic Style describes the reciprocal relationship between these cultural forms. Exposing the bleeding lines between fashion and interiors in cinematic and real-life contexts, Berry presents case studies of cinematic styles adopted as brand identities and design movements promoted through filmic fantasy.Shedding light on consumer culture, social history and gender politics as well as on fashion, film and interior design theory, Cinematic Style considers the leading roles domestic spaces, quaint cafes, little black dresses and sharp suits have played in 20th and 21st-century film.

Establishes a set of frameworks suited to the analysis of fashion, film, the interior, consumer culture and luxury branding

List of FiguresAcknowledgementsIntroduction: Cinematic Style-Fashion, Architecture and the Interior on Film1. Bedrooms, Boudoirs and Bathrooms: Modern Women, Seductive Spaces and Spectacular Silhouettes2. Evil Lairs and Bachelor Dandies: Modernist Architecture, Spies and the Suit3. Luxurious Longings: Queer Heterotopias in Décor and Dress4. Grand Entrances: Staircases, Stages and Fashion Parades5. Windows and Screens: Cinema, Department Stores and Boutique Displays6. Dream Spaces: Film Sets as Fashion Flagships and Experiential Retail EnvironmentsConclusionNotesFilmography Bibliography Index