Modern American Drama: Playwriting 2000-2009

TheDecades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material.

The major playwrights and their plays to receive in-depth coverage in this volume include:
* Theresa Rebeck:Omnium Gatherum (2003)Mauritius (2007), andThe Understudy (2008);
* Sarah Ruhl:Eurydice (2003)Clean House (2004), andIn the Next Room (or the Vibrator Play) (2009);
* Lynn Nottage: Intimate Apparel (2003)Fabulation or Re-Education of Undine (2004), andRuined (2008);
* Charles Mee:Big Love (2000)Wintertime (2005), andHotel Cassiopeia (2006).

TheDecades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material.

The major playwrights and their plays to receive in-depth coverage in this volume include:
* Theresa Rebeck:Omnium Gatherum (2003)Mauritius (2007), andThe Understudy (2008);
* Sarah Ruhl:Eurydice (2003)Clean House (2004), andIn the Next Room (or the Vibrator Play) (2009);
* Lynn Nottage: Intimate Apparel (2003)Fabulation or Re-Education of Undine (2004), andRuined (2008);
* Charles Mee:Big Love (2000)Wintertime (2005), andHotel Cassiopeia (2006).