Bücher online kaufen
That Shakespeherian Rag
-0 %
 |
| Der Artikel wird am Ende des Bestellprozesses zum Download zur Verfügung gestellt. |
Artikel-Nr:
9781136562372
Veröffentl:
2013
Einband:
PDF
Seiten:
144
Autor:
Terence (Emeritus Professor of English Hawkes
eBook Typ:
PDF
eBook Format:
PDF
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Englisch
Beschreibung:
First published in 1986.
This collection of essays focuses on the ways in which our society ''processes'' Shakespeare and the purposes for which this seems to be done. The case is made by examining the work of four highly influential critics: A C Bradley, Walter Raleigh, T S Eliot and John Dover Wilson.
Terence Hawkes asks whether, beyond the readings to which the plays may be subjected, there lies any final, authoritative or essential meaning to which we can ultimately turn, concluding that jazz music offers the most fruitful model for twentieth-century criticism.
This collection of essays focuses on the ways in which our society ''processes'' Shakespeare and the purposes for which this seems to be done. The case is made by examining the work of four highly influential critics: A C Bradley, Walter Raleigh, T S Eliot and John Dover Wilson.
Terence Hawkes asks whether, beyond the readings to which the plays may be subjected, there lies any final, authoritative or essential meaning to which we can ultimately turn, concluding that jazz music offers the most fruitful model for twentieth-century criticism.
First published in 1986.
This collection of essays focuses on the ways in which our society ''processes'' Shakespeare and the purposes for which this seems to be done. The case is made by examining the work of four highly influential critics: A C Bradley, Walter Raleigh, T S Eliot and John Dover Wilson.
Terence Hawkes asks whether, beyond the readings to which the plays may be subjected, there lies any final, authoritative or essential meaning to which we can ultimately turn, concluding that jazz music offers the most fruitful model for twentieth-century criticism.
This collection of essays focuses on the ways in which our society ''processes'' Shakespeare and the purposes for which this seems to be done. The case is made by examining the work of four highly influential critics: A C Bradley, Walter Raleigh, T S Eliot and John Dover Wilson.
Terence Hawkes asks whether, beyond the readings to which the plays may be subjected, there lies any final, authoritative or essential meaning to which we can ultimately turn, concluding that jazz music offers the most fruitful model for twentieth-century criticism.