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Wagner’s Melodies
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Aesthetics and Materialism in German Musical Identity
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Artikel-Nr:
9781107014305
Veröffentl:
2014
Einband:
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Erscheinungsdatum:
04.07.2014
Seiten:
464
Autor:
David Trippett
Gewicht:
976 g
Format:
250x175x29 mm
Sprache:
Englisch
Beschreibung:
David Trippett is a Lecturer in Music at the University of Cambridge. His work on Wagner's music and reception, the history of aesthetics and theories of technology has appeared in various journals including 19th-Century Music, the Journal of Musicology, Musiktheorie, the Cambridge Opera Journal and The Musical Quarterly, and has earned him the Alfred Einstein award of the American Musicological Society. He has also edited and translated texts in music history, including most recently Carl Stumpf's The Origins of Music (2012), and he performs regularly as a collaborative pianist, having given concerts throughout Europe and on both coasts of the USA.
Wagner's Melodies places the composer's ideas about melody in the context of the scientific discourse of his age.
Introduction; 1. German melody; 2. Melodielehre?; 3. Wagner in the melodic workshop; 4. Hearing voices: Wilhelmine Schröder-Devrient and the Lohengrin 'Recitatives'; 5. Vowels, voices, and 'original truth'; 6. Wagner's material expression; Excursus: Bellini's Sinnlichkeit and Wagner's Italy.