El Paso Del Norte

The Chicano characters in Richard Yanez's debut story collection live in El Paso's Lower Valley but inhabit a number of borders-between two countries, two languages, and two cultures, between childhood and manhood, life and death. The teenaged narrator of "e;Desert Vista"e; copes with a new school and a first love while negotiating the boundaries between his family's tenuous middle-class status and the working-class community in which they have come to live. Tony Amoroza, the protagonist of "e;Amoroza Tires,"e; wrestles with the grief from his wife's death until an unexpected legacy fills him with new faith. Maria del Valle, "e;La Loquita,"e; the central character of "e;Lucero's Mkt.,"e; crosses the border into madness while her neighbors watch, gossip, and try to offer-or refuse-aid. Yanez writes with perfect understanding of his borderland setting, a landscape where poverty and violence impinge on traditional Mexican-American values, where the signs of gang culture strive with the ageless rituals of the Church. His characters are vivid, unique, fully authentic, searching for purpose or identity, for hope or meaning, in lives that seem to deny them almost everything. Yanez's world is that of the Southwestern Chicanos, but the fears and yearnings of his characters are universal. 

The Chicano characters in Richard Yanez's debut story collection live in El Paso's Lower Valley but inhabit a number of borders-between two countries, two languages, and two cultures, between childhood and manhood, life and death. The teenaged narrator of "e;Desert Vista"e; copes with a new school and a first love while negotiating the boundaries between his family's tenuous middle-class status and the working-class community in which they have come to live. Tony Amoroza, the protagonist of "e;Amoroza Tires,"e; wrestles with the grief from his wife's death until an unexpected legacy fills him with new faith. Maria del Valle, "e;La Loquita,"e; the central character of "e;Lucero's Mkt.,"e; crosses the border into madness while her neighbors watch, gossip, and try to offer-or refuse-aid. Yanez writes with perfect understanding of his borderland setting, a landscape where poverty and violence impinge on traditional Mexican-American values, where the signs of gang culture strive with the ageless rituals of the Church. His characters are vivid, unique, fully authentic, searching for purpose or identity, for hope or meaning, in lives that seem to deny them almost everything. Yanez's world is that of the Southwestern Chicanos, but the fears and yearnings of his characters are universal.