Isthmus to Abya Yala

Roberto Harrison's poetry books include Tropical Lung: exi(s)t(s) (Omnidawn, 2021), Tropical Lung: Mitologia Panameña (Nion Editions, 2020), Yaviza (Atelos, 2017), Bridge of the World (Litmus Press, 2017), culebra (Green Lantern Press, 2016), bicycle (Noemi Press, 2015), Counter Daemons (Litmus Press, 2006), Os (subpress, 2006), as well as many chapbooks. With Andrew Levy, Harrison edited the poetry journal Crayon from 1997 to 2008. He was also the editor of Bronze Skull Press which published over 20 chapbooks, including the work of many Midwestern poets. Most recently, Harrison served as a co-editor for the Resist Much/Obey Little: Inaugural Poems to the Resistance anthology. He was the Milwaukee Poet Laureate from 2017-2019 and is also a visual artist. He lives in Milwaukee with his wife, the poet Brenda Cárdenas.

A conjuration of ancient consciousness aimed at rehumanizing our contemporary cyborg condition. "Referring to the American continent, 'Abya Yala' ('land of life') is a pre-Columbian term of the Guna people of Panamá and Colombia. Harrison wrestles with language, racism, and humanity in political and spiritual poems."-Publishers Weekly, Most Anticipated Poetry Books, Spring 2024"Abya Yala"-"land of life" or "land of vital blood"-is a Pre-Columbian term of the Guna people of Panamá and Colombia to refer to the American continent and more recently has signified the idea of a decolonized "New World" among various Indigenous movements. In Isthmus to Abya Yala, Panamanian American poet Roberto Harrison summons a mythic consciousness in response to this political and spiritual struggle. In his poems, with mystic fervor, Harrison finds phonetic unities concealing conceptual oppositions he must transcend. Invoking "mobilian" as an ur-language against racism and toward an all-inclusive humanity-in opposition to the "mobile" of phone-mediated existence-the poems of Isthmus to Abya Yala burn with a visionary ardor that overpowers rationality through an intensive accumulation of imagery. They even sometimes manifest as visual poems in the form of drawings he calls "Tecs," opposing the dominance of technology to the advocacy of pan-Indian nationhood by 19th century Shawnee leader Tecumseh. "Tecumseh Republic" is the poet's name for a new post-racial, post-national, post-binary, post-colonial, holistic and earth-oriented society with no national borders, with Panamá, the isthmus, as its only entry and exit.