London’s Grand Guignol and the Theatre of Horror

London’s Grand Guignol and the Theatre of Horror
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Artikel-Nr:
9780859899277
Veröffentl:
2015
Einband:
Web PDF
Seiten:
304
Autor:
Richard J. Hand
Serie:
Exeter Performance Studies ISSN
eBook Typ:
PDF
eBook Format:
Reflowable Web PDF
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Englisch
Beschreibung:


A companion to UEP’s Grand-Guignol: The French Theatre of Horror (now in its third reprint). London’s Grand Guignol was established in the early 1920s at the Little Theatre in the West End. It was a high-profile venture that enjoyed popular success as much as critical controversy.



A companion to UEP’s Grand-Guignol: The French Theatre of Horror (now in its third reprint). A genre that has left more of a mark on British and American culture than we may imagine” (Gothic Studies).

London’s Grand Guignol was established in the early 1920s at the Little Theatre in the West End. It was a high-profile venture that enjoyed popular success as much as critical controversy. On its side were some of the finest actors on the English stage, in the shape of Sybil Thorndike and Lewis Casson, and a team of extremely able writers, including Noël Coward.

London's Grand Guignol and the Theatre of Horror considers the importance and influence of the English Grand Guignol within its social, cultural and historical contexts. It also presents a selection of ten remakarble English-language Grand Guignol plays, some of which were banned by the Lord Chamberlain, the censor of the day, and have never been published or publicly performed. Among the plays in the book is a previously unpublished work by Noël Coward, The Better Half, first performed at the Little Theatre in 1922.

The reviewer in the journal Gothic Studies wrote, of the authors’ previous book: “having recently taught a module on Grand Guignol with third year drama students, it is also worth noting that this book captured their imaginations in a way that few other set texts seem to manage.”







SECTION 1

Chapter 1: A History of London’s Grand Guignol

Chapter 2: London’s Grand Guignol and Issues of Genre and Writing

Chapter 3: London’s Grand Guignol: Performers and Performing

Chapter 4: London’s Grand Guignol: Censorship and Reception

Chapter 5: London’s Grand Guignol and the Reviewers

Chapter 6: The Aftermath and Legacy of London’s Grand Guignol

SECTION 2

Ten Plays of London’s Grand Guignol

Eight O’Clock by Reginald Berkeley

A Man in Mary’s Room by Gladys Unger

Private Room Number 6 by André de Lorde

The Person Unknownby H. F. Maltby

Latitude 15°Southby Victor MacClure

The Old Women by Christopher Holland

The Nutcracker Suite by Eliot Crawshay-Williams

The Sisters’ Tragedy by Richard Hughes

The Better Half by Noël Coward

I Want To Go Home by H. F. Maltby

APPENDICES

Appendix 1 London’s Grand Guignol, 1920-22Appendix 2 The Complete Repertoire of London’s Grand Guignol, 1920-22

Appendix 3 Extract from Oh, Hell!!! A ‘Revuette’ by Reginald Arkell and Russell Thorndike

Bibliography


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