Contemporary American Short-Story Cycle

Contemporary American Short-Story Cycle
The Ethnic Resonance of Genre
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Artikel-Nr:
9780807129616
Veröffentl:
2004
Einband:
Paperback
Erscheinungsdatum:
01.04.2004
Seiten:
312
Autor:
James Nagel
Gewicht:
455 g
Format:
229x152x17 mm
Sprache:
Englisch
Beschreibung:

JAMES NAGEL is J. O. Eidson Distinguished Professor of American Literature at the University of Georgia, founder of the journal Studies in American Fiction, and cofounder of the American Literature Association. Among his previous books are Stephen Crane and Literary Impressionism; Ernest Hemingway: The Oak Park Legacy; and, with Henry S. Villard, Hemingway in Love and War: The Lost Diary of Agnes von Kurowsky.
James Nagel offers the first systematic history and definition of the short story cycle genre as exemplified in contemporary American fiction, bringing attention to the format's wide appeal among various ethnic groups. He examines in detail eight recent manifestations of the story cycle, all praised by critics while uniformly misidentified as novels: Love Medicine, by Louise Erdrich; Annie John, by Jamaica Kincaid; Monkeys, by Susan Minot; The House on Mango Street, by Sandra Cisneros; The Things They Carried, by Tim O'Brien; How the Garcia Girls Lost Their Accents, by Julia Alvarez; The Joy Luck Club, by Amy Tan; and A Good Scent from a Strange Mountain, by Robert Olen Butler. Nagel proposes that the short-story cycle, with its concentric as opposed to linear plot development possibilities, lends itself particularly well to exploring themes of ethnic assimilation, which mirror some of the major issues facing American society today.

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