From the Place in the Valley Deep in the Forest

The stories and characters in this diverse collection of stories from the acclaimed novelist Mitch Cullin provide a fascinating gloss on events that have taken place in the second half of the 20th century. They begin at a remote Japanese beach house and end on an unnamed Alaskan island. These are stories about isolation, remembrances of past experiences, and the sometimes inaccurate nature of memory. Cullin's stories examine individuals who have survived momentous, often horrific, social upheavals-where relationships and common day-to-day life are suddenly shaken by unforeseen circumstances. `From the Place in the Valley Deep in the Forest' is a collection that deftly suggests we are all emigrants from personal histories we recall only fleetingly-moments which draw us back, but, as we imagine them, seem increasingly difficult to grasp. These polished and graceful stories are further evidence of the kind of work that makes Cullin one of our best young writers. "If something of the experimentalist shows in Cullin's novels, his stories are old-fashioned in the best sense, reporting slices of life as the characters experience them in a language that is economical yet richly evocative because of its precision."-Booklist

The stories and characters in this diverse collection of stories from the acclaimed novelist Mitch Cullin provide a fascinating gloss on events that have taken place in the second half of the 20th century. They begin at a remote Japanese beach house and end on an unnamed Alaskan island. These are stories about isolation, remembrances of past experiences, and the sometimes inaccurate nature of memory. Cullin's stories examine individuals who have survived momentous, often horrific, social upheavals-where relationships and common day-to-day life are suddenly shaken by unforeseen circumstances. `From the Place in the Valley Deep in the Forest' is a collection that deftly suggests we are all emigrants from personal histories we recall only fleetingly-moments which draw us back, but, as we imagine them, seem increasingly difficult to grasp. These polished and graceful stories are further evidence of the kind of work that makes Cullin one of our best young writers. "If something of the experimentalist shows in Cullin's novels, his stories are old-fashioned in the best sense, reporting slices of life as the characters experience them in a language that is economical yet richly evocative because of its precision."-Booklist