ACKNOWLEDGMENTS
PROLOGOS
Tragedy in Melodrama
Theatre's Material Ghosts and Gods
Ethical Edges
A Sacrificial Imperative
PART ONE: CATHARSIS BETWEEN SACRIFICIAL CULTURES
1. Blood Sacrifice in Ancient Greece and Aztec America
Theatre within Ritual
Transcendental Savagery
Altar-Egos and Body Parts
From Solar to Proscenium Mirrors
The Bottom of the Frame
Animistic Psychology, Puppetry, and Dancing Hearts
Cathartic Encounters with the Real
2. Roman, Aztec, and NFL "Gladiators"
Sacrificial Shades
The Metaphysics of Script and Score
Im-mortal Dances, Costumes, and Props
Star Powers
Audience Participation and Alienation
Melodramatic or Tragic Catharsis
PART TWO: SCREENING REAL MONSTERS
3. Choral Edges in Frankenstein and Natural Born Killers
A Monstrous Gaze
Slices of Space and Time
Edges of Communion in Frankenstein
Violence in the House
Cruel Affect and A-Effect as Cathartic Cures
Choral Born Killers
Male and Female Monsters
4. Brechtian and Aztec Violence in Zoot Suit
Patriarchal Sacrifices
Brechtian Ixiptla Onscreen
Audience Effects of the Perverse Superego
5. Martyrs and Scapegoats in the Films of Scorsese and Coppola
Body and Blood Offerings
Between Animal and Divine
Lucifer Within
Sacrifices That Cannot Be Refused
The Sympathetic Inheritance of Evil
Postmodern Flower War
EXODOS
NOTES
BIBLIOGRAPHY
INDEX