Black Cracker

Black Cracker
 Paperback
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Artikel-Nr:
9780615354170
Veröffentl:
2009
Einband:
Paperback
Erscheinungsdatum:
03.02.2009
Seiten:
296
Autor:
Josh Alan Friedman
Gewicht:
484 g
Format:
229x152x18 mm
Sprache:
Englisch
Beschreibung:

Writer Wyatt Doyle is co-founder of New Texture, launching their publishing imprint in 2006. He assisted Georgina Spelvin in the publication of her memoir, THE DEVIL MADE ME DO IT, and served as editor and publisher of BLACK CRACKER by Josh Alan Friedman for his own imprint, Wyatt Doyle Books. He is co-founder, editor, and designer of The Men's Adventure Library series. A collection of Doyle's stories illustrated by Stanley J. Zappa, STOP REQUESTED, is available from New Texture, as are his photography collections, DOLLAR HALLOWEEN and I NEED REAL TUXEDO AND A TOP HAT!Doyle curates the New Texture website, as well as Josh Alan Friedman's Black Cracker Online and Rev. Raymond Branch's RevBranch.com
South School, 1962: The last segregated school in New York. Their teacher moonlights on "Lawrence Welk," the lady principal wears boxing gloves, and the student body is all-Negro . . . except for first grader Josh Friedman. He's white, but he's working on it.
The acclaimed author of TELL THE TRUTH UNTIL THEY BLEED and TALES OF TIMES SQUARE returns with a one-of-a-kind autobiographical novel - "a memoir you can't accuse of lies." Center stage in the unflinching and frequently hilarious funhouse tour of Friedman's Long Island boyhood is a rogues' gallery that includes Bobo, precocious third-grade dropout and boy prince of the ghetto; his bumbling (and alarmingly potent) ne'er-do-well Uncle Limpy; Mumsy, the smelliest shoeshine boy in Penn Station; Mrs. O'Leary, the menacing Irish nanny; her son, Drake, an etiquette-obsessed, switchblade-totin' clammer overwhelmed by the tides of racial progress; and the impoverished Wilshires, the bone-white, nigger-hatin'-est crackers in town.

At once heartbreaking and hysterically funny, BLACK CRACKER delivers a fearless account of adventures in the now-forgotten poor Black shantytowns of Long Island, exploring the singular ugliness of racism, the intrigue of janitorial whodunits, the tragic limits of friendship, and the inexplicable seductive powers of croco-print footwear.

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