True Love and Bartholomew

The Karen, one of Burma's many minority peoples, have been waging an increasingly desperate war for autonomy against the Burmese government since 1949. Karen society in Burma has been little studied since the 1920s, and recent writers have been forced (by Burma's "closed door" policies) to concentrate on Karen refugee communities in Thailand. This book is a portrait of an ancient culture remolded to the purposes of ethnic rebellion. The picture is enriched with historical comparisons and is based on portraits of individual Karen as they struggle to defend their way of life and to preserve their belief in their own independence. There are chapters on music, food, love, the patterns of the rebels' forest and river life, on the Karen military hierarchy and its weaponry, on women and on mercenaries, on the language and the symbols of rebel nationalism. Jonathan Falla has led a diverse life. He attended the University of Cambridge and is the founder of the Cambridge Poetry Society. He has worked in Indonesia and Uganda and has written several plays, being named one of Britain's Most Promising Playwrights in 1983. Falla spent an illegal year in Burma living with the Karen rebels. Currently, he lives in Scotland and works as a nurse.

Foreword Nigel Barley; Acknowledgements; 1. A bronze drum; 2. Boar tusk's children; 3. White collar flowerland; 4. True love at home; 5. Water child, land child; 6. A simple man; 7. Fighting mean, fighting clean; 8. Great lake and the elephant man; 9. Bartholomew's borders; 10. The three seasons; Interlude: from the Kok River; 11. Last of the longhouses; 12. A delicate bamboo tongue; 13. True love in love; 14. Fermented monkey faeces; 15. Perfect hosts; 16. Old guard, young turks; 17. True love and white rock; 18. Insurgents in a landscape; 19. True love and sudden death; 20. Portraits; Notes; Bibliography; Index.