Bücher online kaufen
Freehand Perspective and Sketching
-0 %
 |
| Der Artikel wird am Ende des Bestellprozesses zum Download zur Verfügung gestellt. |
Artikel-Nr:
9780486140469
Veröffentl:
2012
Einband:
EPUB
Seiten:
192
Autor:
Dora Miriam Norton
Serie:
Dover Art Instruction
eBook Typ:
EPUB
eBook Format:
Reflowable EPUB
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Englisch
Beschreibung:
The essential guide to rendering perspective, this classic manual uses a series of illustrated exercises and explanations to help artists and students master one of art's greatest challenges. More than 260 figures.
The essential guide to rendering perspectiveFreehand Perspective and Sketching uses a series of illustrated exercises and explanations to help artists master one of art's greatest challenges. Generations of art students and amateurs have found it an indispensable resource of the time-honored principles and methods that empower artists to express themselves.
More than 260 figures offer precise demonstrations in the representation of shapes, shadows, angles, and proportion. Author Dora Miriam Norton discusses how to combine these elements to create realistic-looking compositions, focusing primarily on the techniques of proportion and foreshortening. Freehand sketching, she explains, means drawing by the trained eye and judgment. This book provides a foundation of definite knowledge that enables artists to draw items individually or in groups without needing to see actual models.
More than 260 figures offer precise demonstrations in the representation of shapes, shadows, angles, and proportion. Author Dora Miriam Norton discusses how to combine these elements to create realistic-looking compositions, focusing primarily on the techniques of proportion and foreshortening. Freehand sketching, she explains, means drawing by the trained eye and judgment. This book provides a foundation of definite knowledge that enables artists to draw items individually or in groups without needing to see actual models.
Introduction
I. General Directions
II. Pencil Measurement and the Picture Plane
III. The Ellipse
IV. A Cylinder and a Cylindrical Object
V. An Object above the Eye and the Cone Principle
VI. A Cream Jug
VII. A Time Study
VIII. A Group of Cylindrical Objects
IX. Cylindrical Objects Grouped with Fruit
X. A Group of Objects from Memory or Invention
XI. The Cylinder Cone and Ball Grouped--A Problem for Original Study
XII. The Study of Straight Line Objects
XIII. Drawing the Book in Two Positions
XIV. The Book with a Cylindrical Object
XV. The Cylinder and Rectangular Block--A Problem for Original Study
XVI. The Further Study of Straight-Line Objects--A Cube at Angles with the Picture Plane
XVII. The Cube in Two Different Positions
XVIII. A Book at Angles to the Picture Plane
XIX. Two Books at Different Angles to the Picture Plane
XX. The Actual Center of the Circle and Measurement into the Picture by Parallel Lines
XXI. Books with a Cylindrical Object
XXII. The Study and Drawing of a House
XXIII. A Building from the Photograph or a Print
XXIV. Type Forms Helpful in Understanding the House--The Square Frame
XXV. The Square Pyramid and Square Plinth
XXVI. The Square Frame Leaning on the Rectangular Block--A Problem for Original Study
XXVII. Cylindrical Objects when not Vertical
XXVIII. A Group of Flower Pots
XXIX. The Circular Frame in a Square Frame
XXX. A Round Window
XXXI. The Clock--A Problem
XXXII. The Arch
XXXIII. Interiors--A Room Parallel to the Picture Plane
XXXIV. Interiors--A Room at Angles to the Picture Plane
XXXV. Further Studies of Interiors
XXXVI. A Chair
XXXVII. The Hexagonal Plinth in Two Positions
XXXVIII. Interior with a Tiled Floor
XXXIX. The Hexagonal Prism and Frame
XL. The Triangular Prism and Frame--A Problem for Original Study
XLI. The Study of Parallel Perspective
XLII. A Street from the Photograph
XLIII. Exceptions to the Use of the Flat Picture Plane
XLIV. Shadows
XLV. Out-of-doors Work
Solutions of Problems
Index
I. General Directions
II. Pencil Measurement and the Picture Plane
III. The Ellipse
IV. A Cylinder and a Cylindrical Object
V. An Object above the Eye and the Cone Principle
VI. A Cream Jug
VII. A Time Study
VIII. A Group of Cylindrical Objects
IX. Cylindrical Objects Grouped with Fruit
X. A Group of Objects from Memory or Invention
XI. The Cylinder Cone and Ball Grouped--A Problem for Original Study
XII. The Study of Straight Line Objects
XIII. Drawing the Book in Two Positions
XIV. The Book with a Cylindrical Object
XV. The Cylinder and Rectangular Block--A Problem for Original Study
XVI. The Further Study of Straight-Line Objects--A Cube at Angles with the Picture Plane
XVII. The Cube in Two Different Positions
XVIII. A Book at Angles to the Picture Plane
XIX. Two Books at Different Angles to the Picture Plane
XX. The Actual Center of the Circle and Measurement into the Picture by Parallel Lines
XXI. Books with a Cylindrical Object
XXII. The Study and Drawing of a House
XXIII. A Building from the Photograph or a Print
XXIV. Type Forms Helpful in Understanding the House--The Square Frame
XXV. The Square Pyramid and Square Plinth
XXVI. The Square Frame Leaning on the Rectangular Block--A Problem for Original Study
XXVII. Cylindrical Objects when not Vertical
XXVIII. A Group of Flower Pots
XXIX. The Circular Frame in a Square Frame
XXX. A Round Window
XXXI. The Clock--A Problem
XXXII. The Arch
XXXIII. Interiors--A Room Parallel to the Picture Plane
XXXIV. Interiors--A Room at Angles to the Picture Plane
XXXV. Further Studies of Interiors
XXXVI. A Chair
XXXVII. The Hexagonal Plinth in Two Positions
XXXVIII. Interior with a Tiled Floor
XXXIX. The Hexagonal Prism and Frame
XL. The Triangular Prism and Frame--A Problem for Original Study
XLI. The Study of Parallel Perspective
XLII. A Street from the Photograph
XLIII. Exceptions to the Use of the Flat Picture Plane
XLIV. Shadows
XLV. Out-of-doors Work
Solutions of Problems
Index