Post Critical Museology

Post Critical Museology
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Theory and Practice in the Art Museum
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Artikel-Nr:
9780415606004
Veröffentl:
2012
Erscheinungsdatum:
19.10.2012
Seiten:
288
Autor:
Andrew Dewdney
Gewicht:
581 g
Format:
234x156x18 mm
Sprache:
Englisch
Beschreibung:

Andrew Dewdney is a professor of educational development at London South Bank University, and has been the Principal Investigator and Director of the Tate Encounters project, Head of the School of Film and Photography at Newport College of Art, and Director of Exhibition and Photography at the Watershed Media Centre in Bristol. His teaching focuses upon new media and visual culture, is co-author (with Peter Ride) of The New Media Handbook (Routledge, 2006).
Post-Critical Museology is intended as a contribution to progressive museological thinking and practice and calls for a new alignment of academics and professionals in what it announces as post-critical museology. An alignment that is committed to rethinking what an art museum in the twenty-first century could be, as well as what knowledge and understanding its future practitioners might draw upon in a rapidly changing social and cultural context. The book aims to be essential reading in the growing field of museum studies. It will also be of professional interest to all those working in the cultural sphere, including museum professionals, policy makers and art managers.
Part 1: Practices of Exhibition Practices 1. Practices of Objects 2. Identity and Difference 3. The Organizational Body 4. Practices of Audience and the Limits of Gallery Education Part 2: Practices of Collection and Display: The National Collection of British Art 5. Identity, Diasporic Narratives and Spectatorship 6. Canonical Practices, Modernism and Globalization 7. The Space of the Museum 8. Media Practices and the Museum Part 3: Post-Critical Museology 9. Research Practices and Policy Formation 10. Critical and Historical practices: The Academy and the Art Museum 11. Reflexive Positions and Institutional Conditions Part 4: Critical Audience 12. The Distributed Museum 13. Productive Practices

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