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Semiotics and Title Sequences
Text-Image Composites in Motion Graphics
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Artikel-Nr:
9780367887551
Veröffentl:
2019
Seiten:
130
Autor:
Michael (Savannah College of Art and Design Betancourt
Gewicht:
208 g
Format:
215x142x12 mm
Serie:
Routledge Studies in Media Theory and Practice
Sprache:
Englisch
Beschreibung:
Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage, Glitch Art in Theory and Practice, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, German, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as The Atlantic, Make Magazine, CTheory, and Leonardo.
Title sequences are the most obvious place where photography and typography combine on-screen, yet they are also a commonly neglected part of film studies. Semiotics and Title Sequences presents the first theoretical model and historical consideration of how text and image combine to create meaning in title sequences for film and televisi
1. Theory and Design