The Street

The Street
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Artikel-Nr:
9780349012933
Veröffentl:
2019
Erscheinungsdatum:
17.12.2019
Seiten:
403
Autor:
Ann Petry
Gewicht:
329 g
Format:
198x124x30 mm
Serie:
Virago Modern Classics
Sprache:
Englisch
Beschreibung:

Ann Petry (1908-1997), novelist and writer of short stories and books for young people, was one of America's most distinguished authors. Her first published story appeared in 1943 in the Crisis. She then began on her first novel, The Street, which was published in 1946 and for which she received the Houghton Mifflin Literary Fellowship. Petry wrote two more novels, The Country Place and The Narrows, and numerous short stories, articles and children's books.

Introduced by Tayari Jones

New York City, 1940s. In a crumbling tenement in Harlem, Lutie Johnson is determined to build a new life for herself and her eight-year-old boy, Bub - a life that she can be proud of. Having left her unreliable husband, Lutie believes that, with hard work and resolve, she can begin again; she has faith in the American dream. But in her struggle to earn money and raise her son amid the violence, poverty and racial dissonance of her surroundings, Lutie is soon trapped: she is a woman alone, 'too good-looking to be decent', with predators at every turn.

'A powerful, uncompromising work of social criticism . . . Few works of fiction have so clearly illuminated the devastating impact of racial injustice' CORETTA SCOTT KING

'The Street is my favorite type of novel, literary with an astonishing plot . . . Petry is the writer we have been waiting for, hers are the stories we need to fully illuminate the questions of our moment, while also offering a page-turning good time . . . insightful, prescient and unputdownable prose' TAYARI JONES, NEW YORK TIMES

New York City, 1940s. In a crumbling tenement in Harlem, Lutie Johnson is determined to build a new life for herself and her eight-year-old boy, Bub - a life that she can be proud of. Having left her unreliable husband, Lutie believes that with hard work and resolve, she can begin again; she has faith in the American dream. But in her struggle to earn money and raise her son amid the violence, poverty and racial dissonance of her surroundings, Lutie is soon trapped: she is a woman alone, 'too good-looking to be decent', with predators at every turn.

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